Traite De Rythme, De Couleur Et D'ornithologie Tome 1 梅湘

本卷是奧利維耶-梅西安（Olivier Messiaen）用法語撰寫的《節奏、色彩和鳥類學論文集》的一部分，也是七卷中的第一卷。這一卷的重點是時間、節奏、希臘度量衡、印度節奏，以及對克勞德-勒熱納（Claude Le Jeune）創作的《春》中 39 個合唱團的分析。 這篇論文描繪了梅西安創作背後的全部理論以及他是如何創作音樂的，包括他對節奏的構思、對鳥鳴的融入以及他與聲音和色彩的關係。 大多數作曲家都很難解釋自己的創作，而梅西安卻成功地撰寫了一部七卷本的論文集，解釋了其作品的所有重要方面。 奧利維耶-梅西安（1908-1992 年）是一位熱愛鳥類學的法國管風琴家和作曲家，也是本世紀最重要的作曲家之一。受日本音樂的啟發，他的作曲方式非常特別，他的作品以其複雜性、二度性、有限轉調的和聲、色彩和附加節奏而著稱。他創作了許多與鳥類學和鳥鳴有關的作品，包括 7 卷本的《鳥類目錄》"

作曲家: Olivier Messiaen
出版社: Alphonse Leduc
原文簡介:
“Part of the Treatise on rhythm, colour and ornithology written in French by Olivier Messiaen, this volume is the first of the 7 tomes. This volume focuses on time, rhythms, Greek metrics, Hindu Rhythms and an analysis of 39 choirs of 'Spring' by Claude Le Jeune. This treatise depicts the full theory behind Messiaens compositions and how he composed the music, including his conception of rhythms, his incorporation of birdsong and his relation to sound and colours. While most of the composers struggle to explain their composition, Messiaen has managed to write a Treatise in 7 volumes to explain all the important aspects of his work. Olivier Messiaen (1908-1992) was a French organist and composer passionate about Ornithology and one of the most important composer of his century. Inspired by Japanese music, he had a very special way of composing and his work can be identified by its complexity, its diatonic aspect, its harmony with limited transposition, its colour and its additive rhythms. He composed many works related to ornithology and birdsong, including the 'Bird Catalogue' in 7 volumes.”