Sepulchral City Music for Clarinet in Bb, Cello and Piano 鋼琴三重奏 大提琴鋼琴 朔特版

在這首三重奏中，約斯特和他的大多數作品一樣，腦海中浮現出真實事件、電影和小說的畫面和聯想。約瑟夫-康拉德（Joseph Conrad）的小說《黑暗之心》激發了他創作這首曲子的靈感，小說中的主人公馬婁在談到布魯塞爾這座城市時說：'幾個小時後，我來到了一座城市，這座城市總是讓我想起一座白色的墳墓。然而，在為紀念耶路撒冷室內音樂節十周年而創作的作品《墓穴之城》中，標題指的是白色墓穴之城耶路撒冷。約斯特三重奏的主題是進入一座城市的靈魂和生機，不需要任何身體動作，就能找到堅不可摧的黑暗之心：它就在城牆之內。就這一點而言，《墓穴之城》等同於一首在構圖上展開的喪鐘。即使是生動的中段，也是堅持而非漸進的力量。最後，唯一能做的就是吸氣和呼氣"

作曲家: Jost Christian
樂器: clarinet in Bb, cello and piano
出版社: Schott Music
原文簡介:
In this trio, as in most of his compositions, Jost has pictures and associations with true incidents, films and novels in his mind. What inspired him to write this piece was Joseph Conrad's novel 'Heart of Darkness' in which the protagonist Marlow says about the city of Brussels: 'In a few hours I arrived in a city that always make me think of a whited sepulchre.' In 'Sepulchral City', a work commissioned to mark the tenth anniversary of the Jerusalem Chamber Music Festival, however, the title refers to Jerusalem, the city of white tombs. The topic of Jost's trio is a travel into the soul and living spirit of a city, with no physical movement being needed to find the heart of impenetrable darkness: It lies within the city walls. In this respect, 'Sepulchral City' equals a compositionally unfolded funeral bell. Even the animated middle section rather has insisting than progressive power. At the end, the only thing to do is to inhale and exhale.
難度: difficult