Poem op. 80 for Violoncello and 13 Solo Strings 胡麥爾．貝托爾德 大提琴 弦樂器 大提琴加鋼琴 朔特版

雙樂章《詩》的內容和形式結構主觀上借鑒了赫爾曼-黑塞的詩歌《臺階》（Stufen）。作品兩部分中經常出現的短小主題，以魔幻公式化的風格為基礎，以玻璃珠遊戲的寓言故事為基礎，在彩珠遊戲的環形結構中，變成了象徵性的遊戲。"魔幻與夢境、離別與怨恨、悔恨與蛻變，這些情緒接踵而至，從根本上說，是對生命的渴求和對悲傷與圓滿的嚮往

作曲家: Hummel, Bertold
樂器: cello and 13 solo-strings
出版社: Schott Music
原文簡介:
The content and formal structure of the two-movement Poem have been subjectively borrowed from the poem Steps [Stufen] by Hermann Hesse. The frequently appearing short motifs in both parts of the work are based in “magic formulaic style” on the parable of the Glass Bead Game which in the ring for the game with coloured beads becomes a game with symbols.Magic and dreams, a sense of departure and grievance and valediction and transfiguration are the moods which follow one another, frequently in rapid succession – fundamentally the thirst for life and the yearning for sorrow and consummation.