Piano Sonata No. 22 F Major Op. 54 Revised Edition 貝多芬 奏鳴曲 鋼琴 亨乐版

書中收錄了兩首著名的奏鳴曲，分別是《瓦爾斯坦》Op. 作品 53 和作品 57，而 F 大調奏鳴曲作品 54 則一直生活在陰影之中，令人遺憾。在這首大型雙樂章奏鳴曲中，貝多芬在第一樂章中嘗試了鮮明的性格對比，並在第二樂章中演奏了技藝精湛的永動機二重奏。因此，這首奏鳴曲無論是在詮釋上還是在技術難度的掌握上，都對鋼琴家提出了相當大的挑戰，也正因如此，這首奏鳴曲可能會被避而不談。這首奏鳴曲在一個方面與貝多芬的許多早期作品命運相同：沒有親筆簽名。因此，默里-佩拉希亞（Murray Perahia）和諾貝特-格爾施（Norbert Gertsch）只能將原版作為新版的資料來源。與亨勒的貝多芬奏鳴曲新版本一樣，佩拉希亞大師也提供了指法--以及他自己對這首奏鳴曲意義的評論"

作曲家: Ludwig van Beethoven
校訂者: Murray Perahia
樂器: Piano
出版社: Henle Urtext Edition
原文簡介:
Bookended by two famous sonatas, the Waldstein op. 53 and the Appassionata op. 57, the F-major Sonata op. 54 has always lived in the shadows, regrettably. In this first large-scale two-movement sonata, Beethoven experiments with striking character contrasts in the first movement and a virtuosic perpetuum mobile duet in the second. In both interpretation and mastery of technical difficulties, this sonata therefore poses a considerable challenge for pianists and might have been avoided for this reason as well. The sonata shares the fate of many early works by Beethoven in one respect: no autograph exists. Murray Perahia and Norbert Gertsch have thus only been able to examine an original edition as a source for their new edition. As always with the new editions of Beethoven sonatas from Henle, Maestro Perahia also provides the fingerings - and his own commentary on the meaning of this sonata.