Piano Sonata in D Major K311 (284c) Piano Solo 莫札特 奏鳴曲 鋼琴 亨乐版

在莫札特的 18 首鋼琴奏鳴曲中，這首 "小 "D 大調奏鳴曲有點像三色堇（或紫羅蘭？與其他兩首同調 D 大調奏鳴曲（K. 284，尤其是 K.576）相比，這首奏鳴曲在尺寸上顯得 "很小"。它很少在音樂會上演奏，在鋼琴課上也很少演奏。誠然，它沒有 A 小調奏鳴曲 K. 310 的悲慘陰鬱，也沒有 C 大調奏鳴曲 K. 309 那樣美妙深情的慢板樂章，而這兩部作品曾於 1778 年在巴黎印刷。然而，K.311 在許多方面都具有鋼琴 "價值"；在開頭樂章中，我們可以練習幾種標準的技術挑戰（手部交叉、活潑的跑音、平行六度、大音程的顫音等）。慢板（Andante con expressione）磨練了表現力，而這對於許多鍵盤手來說並不總是那麼自然（作曲技巧在第 25 小節也出人意料地出現了）。終曲採用活潑的 6/8 拍，不僅讓人想起名副其實的 "狩獵奏鳴曲 "K. 576，而且幾乎可以說是莫札特鋼琴協奏曲的獨奏部分。總而言之：這首奏鳴曲是一個值得挑戰的作品，它聽起來比它的技術要求要難得多"

作曲家: Wolfgang Amadeus Mozart
校訂者: Ernst Herttrich
樂器: Piano
出版社: Henle Urtext Edition
原文簡介:
This “little” D Major sonata is somewhat the pansy (or violet?) among Mozart's eighteen piano sonatas. It is “little” in dimensions when compared to the two other sonatas in the same key of D Major (K. 284, and especially K. 576). It is very seldom heard in concert; and in piano lessons, too, is played less frequently. Admittedly, it is not enveloped by the tragic gloom of the Sonata in A minor K. 310, nor does it have a wonderfully heartfelt slow movement like the Sonata in C Major K. 309, these being the two works with which it was printed in Paris in 1778. K. 311, however, is pianistically “worthwhile” in many regards; in the opening movement one can practice several standard technical challenges (hand-crossings, effervescent runs, parallel sixths, tremolos at large intervals, etc.). The slow movement (Andante con expressione) hones expressiveness, something that does not always come naturally to many keyboardists (a compositional trick also makes a surprise appearance at bar 25). With its lively 6/8 meter, the finale in turn recalls not only the veritable “Hunt Sonata” K. 576 but could almost have come from the solo part of a Mozartean piano concerto. All in all: a worthwhile challenge, this sonata, which sounds much harder than its technical demands require.