Peer Gynt op. 46 and 55 Suite No. 1 Op. 46 and No. 2 Op. 55 葛利格 組曲 鋼琴獨奏 朔特版

1888年，格裡格將他為易蔔生的詩劇《培爾-金特》創作的四首附帶音樂改編成管弦樂組曲（作品46）。1891 年，格裡格又創作了第二部管弦樂組曲（作品 55），同樣由四首樂曲組成。這兩部組曲很快成為音樂會曲目，為格裡格的國際聲譽做出了巨大貢獻。他將這兩首組曲改編成鋼琴曲，並分別於 1888 年和 1893 年與管弦樂組曲同時出版。格裡格隨後對鋼琴曲作了進一步調整：縮短了一些曲目，如《早晨》，擴大了另一些曲目，如《奧塞之死》。總體而言，格裡格減少了管弦樂的戲劇性構思，轉而採用更為親切的表達方式和更為克制的效果"

作曲家: Grieg, Edvard
編者: Becker-Vinçon, Friederike
校訂者: Grieg, Edvard
樂器: piano
出版社: Schott Music

曲目:
Suite 1: Morning-mood - The death of Ase - Anitra's dance - In the hall of the mountain king - Suite 2: Ingrid's lament - Arabian dance - Peer Gynt's return home - Solvejgs song

原文簡介:
In 1888 Grieg arranged four pieces from his incidental music for Ibsen’s verse drama Peer Gynt to form an orchestral suite (Op. 46). This was followed in 1891 by a second orchestral suite (Op. 55) again comprising 4 pieces. Both suites quickly became established in the concert repertoire and contributed significantly to Grieg’s international fame. He made piano arrangements of both suites and published them simultaneously with the orchestral suites in 1888 and 1893. Grieg subsequently made further adjustments in the piano pieces: shortening some, for example ‘Morning’, and expanding others like ‘The Death of Åse’. Overall, Grieg reduces the dramatic orchestral conception in favour of a more intimate expression and more restrained effects.