Die Zauberflöte from Opera Transcriptions op. 45“ 莫札特 魔笛歌劇 長笛加鋼琴 齊默爾曼版

約阿希姆-安德森的長笛與鋼琴歌劇改編曲作品 45，雖然是十九世紀資產階級沙龍的典型產物，但卻繼承了其源遠流長的傳統，並在李斯特著名的鋼琴改編曲中達到了無與倫比的頂峰。Potpourris 這種家庭音樂創作方式，往往是當時的資產階級音樂愛好者瞭解和討論當時著名音調詩人的重要或流行作品的唯一機會。(卡爾-約阿希姆-安德森（Carl Joachim Andersen，1847-1909 年）是當時最重要的、在國際上享有盛譽的長笛演奏家之一，晚年還擔任指揮。他的許多長笛教學和獨奏作品遠遠高於當時大量生產的演奏家和沙龍音樂的品質水準。這些作品顯示出他是一位元有品味、形式感強、精通和聲的作曲家"

作曲家: Mozart, Wolfgang Amadeus
校訂者: Andersen, Joachim / Richter, Werner
樂器: flute and piano
出版社: Musikverlag Zimmermann
原文簡介:
Joachim Andersen's Operatic Transcriptions for Flute and Pianoforte, op. 45, though typical products of the bourgeois salons of the nineteenth Century, stand in a thoroughly respectable tradition whose origins reach far back into the past and which attained an unsurpassable culmination in the famous piano transcriptions of Franz Liszt. Potpourris, as this type of domestic music-making can be called, often gave bourgeois music lovers of the time their only opportunity to become acquainted with and to discuss important or popular works by prominent tone-poets of die day. (For further information see Count Gallenberg's Kleine Ballettmusik für zwei Flöten, available from the same publisher under the order number ZM 2625.)Carl Joachim Andersen (1847-1909) was one of the most important and internationally best regarded flautists of his day; in later years he also performed as a conductor. His numerous pedagogical and recital pieces for flute stand well above the qualitative level of the virtuoso and salon music being mass-produced at the time. These works reveal him to have been a composer with taste, a strong sense of form and a mastery of harmony.