Concerto No. 25 C major KV 503 莫札特 協奏曲 大調 總譜 歐伊倫堡版

他的協奏曲有理由躋身樂隊伴奏獨奏音樂的里程碑之列。在維也納古典主義中，鋼琴音樂的繁榮得益於樂器演奏技巧的創新，甚至莫札特在他的作品中也充分發揮了古鋼琴演奏優於大鍵琴僵硬音色的優勢。"《第25鋼琴協奏曲》是莫札特最長的協奏曲。第 25 號鋼琴協奏曲是莫札特最長的協奏曲。和聲結構、大小調之間的連續變化、獨奏與樂隊之間的詼諧對話、強烈的協奏飽和度、踏板點的頻繁使用以及旋律的豐富性，都賦予了這部作品獨有的特徵"

作曲家: Mozart, Wolfgang Amadeus
樂器: piano and orchestra
出版社: Ernst Eulenburg & Co. GmbH

曲目:
Preface - Editorial Notes - I. Allegro maestoso - II. Andante - III. (Allegretto)

原文簡介:
His concertos justifiably rank among the milestones of solo music accompanied by orchestra. In Viennese Classicism, piano music flourished thanks to innovations in the instrumental technique, and even Mozart fully exploited the advantages of the fortepiano action over the rigid sound of the harpsichord in his works.Piano Concerto No. 25 is Mozart’s longest concerto. The harmonic structure, the continuous change between major and minor, the witty dialoguing between solo and orchestra, the strong contrapuntal saturation, the frequent use of the pedal point as well as the overflowing melodic abundance give the work a character all its own.