Beethoven: At the Piano 9 Well-Known Original Pieces in Progressive Order 貝多芬 鋼琴 小品 鋼琴 亨乐版

漢斯-馮-比洛認為，貝多芬的 32 首鋼琴奏鳴曲是音樂的 "新約"。我們的選曲並不那麼莊重，因為我們也借此機會展示了作曲家更 "世俗 "的一面，包括舞曲、巴格泰勒舞曲、不尋常的性格曲 "Lustig und traurig"（"快樂與悲傷"），當然還有堅不可摧的 "Für Elise"（《Für Elise》）。與我們的 "在鋼琴上 "系列一樣，所有樂曲都是從簡單到中等難度的漸進式編排。您也不必對貝多芬的鋼琴奏鳴曲心存敬畏：極具古典風格的 G 大調奏鳴曲（本質上是一首奏鳴曲）是貝多芬奏鳴曲多面世界的理想入門曲目。與此相反，我們還展示了 "鋼琴詩人 "貝多芬的《升 C 小調 "月光 "奏鳴曲》第一樂章，以及《降 A 大調奏鳴曲》中的《葬禮進行曲》--這些富有遠見卓識的創作已經遠遠地指向了浪漫主義的世界

作曲家: Ludwig van Beethoven
校訂者: Sylvia Hewig-Tröscher
樂器: Piano
出版社: Henle Urtext Edition
原文簡介:
Beethoven's 32 piano sonatas are the “New Testament” of music, according to Hans von Bülow. Our selection here does not take things quite so solemnly, because we have also taken the opportunity to show the more “worldly” side of the composer, with dances, bagatelles, the unusual character piece “Lustig und traurig” (“Happy and sad”), and of course, the indestructable “Für Elise.” As usual in our series “At the Piano,” all the pieces are arranged progressively from easy to medium level of difficulty. And you do not have to be in awe of Beethoven's piano sonatas either: the highly Classical sonata in G major (essentially a sonatina) offers an ideal introduction to the many-facetted world of Beethoven's sonatas. In contrast to this, we also show Beethoven the “poet at the piano,” with the first movement of his “Moonlight” Sonata in C sharp minor, along with the funeral march from the Sonata in A-flat major – visionary creations that already point far ahead into the world of Romanticism.

Contents: Lustig-Traurig, WoO 54 • Six Ecossaises, WoO 83 • Bagatelle in A minor, WoO 59 “Für Elise” • Piano Sonata No. 20 in G Major, Op. 49, No. 2 • Adagio sostenuto from Piano Sonata No. 14 in C-sharp minor, Op. 27, No. 2 “Moonlight” • Marcia Funèbre sulla morte d'un Eroe from Piano Sonata No. 12 in A-flat Major, Op. 26 • Piano Sonata No. 9 in E Major, Op. 14, No. 1 • Nine Variations on“Quant' è più bello” from La Molinara by Giovanni Paisiello, WoO 69 • Bagatelle in G Major, Op. 126, No. 1 • Bagatelle in G Major, Op. 126, No. 5