Aria (book/download Card Al30688) 詠唱調

歐仁-博紮（Eugène Bozza，1905-1991 年）的父親是義大利人，母親是法國人，他在羅馬聖塞西莉亞學院和巴黎音樂學院學習音樂，師從亨利-布瑟（Henri Büsser）和亨利-拉博（Henri Rabaud）。他的室內樂作品明顯偏愛管樂器，如為雙簧管和鋼琴創作的《牧歌幻想曲》（Fantaisie pastorale，1939 年）和為低音薩克斯管和鋼琴創作的《新奧爾良》（New-Orléans，1944 年）。幾年前（1936 年），博紮在羅馬美第奇別墅逗留期間，寫下了《中音薩克斯管與鋼琴詠歎調》（Aria Pour Saxophone Alto Et Piano），該曲自由改編自約翰-塞巴斯蒂安-巴赫（Johann Sebastian Bachs）的《F 大調管風琴牧歌》（BWV 590）第三樂章。這首旋律寬廣而懷舊，在正拍上展開，已成為世界上最廣泛演奏的薩克斯風作品之一。在取得如此巨大成功之後，Éditions Leduc 決定為其再版補充一個音訊版本，以便薩克斯管演奏者進行全面練習

作曲家: Eugène Bozza
出版社: Alphonse Leduc

曲目:
Aria

原文簡介:
“Born to an Italian father and a French mother, Eugène Bozza (1905-1991) divided his music studies between the Academia Santa Cecilia in Rome and the Conservatoire de Paris, where he was taught by Henri Büsser and Henri Rabaud. His chamber music compositions reveal a marked predilection for wind instruments, as reflected in Fantaisie pastorale for oboe and piano (1939) and New-Orléans for bass saxhorn and piano (1944). During his stay a few years earlier at the Villa Medici in Rome (1936), Bozza had written his Aria Pour Saxophone Alto Et Piano a free adaptation of the third movement of Johann Sebastian Bachs Organ Pastorale in F major BWV 590. This expansive and nostalgic melody, which unfolds over a regular meter, has become one of the most widely played SaxoËphone pieces in the world. Having enjoyed such success, Éditions Leduc has decided to supplement its republication with an audio version that will enable saxoËphonists to carry out full-scale practice.”