Sonata V für Klavier 奏鳴曲 騎熊士版

第五鋼琴奏鳴曲》創作於 1974 年。在風格上，這首鋼琴奏鳴曲與 20 世紀 60 年代完成的作品有所不同，後者綜合了菲舍爾自己的音樂語言和新音樂的刺激。除最後一段外，這首奏鳴曲只使用了降B-B-C-C-F-F-F-G調式，該調式於 1965 年在《丟勒啟示錄後的十五幅版畫》中首次以縮小的六音階形式使用。從形式上看，這首樂曲由簡短的重複的旋律構成了對比鮮明的短小樂段。作曲家通過對主題和表現材料的最少使用，實現了有效的戲劇性縮寫，這種縮寫在 20 世紀 60 年代的作品中達到了頂峰。只有在最後的抒情部分才放棄了這種音樂處理方式，這預示著費澤爾音樂語言的未來發展，導致其簡化和整體戲劇性的減弱"

作曲家: Fišer, Luboš
樂器: for Piano
出版社: Bärenreiter 騎熊士(小熊版)
原文簡介:
Piano Sonata No. 5 was written in 1974. Stylistically, it moves on from works completed in the 1960s which betray a synthesis of Fišer's own musical language and the stimuli of New Music. With the exception of the final passage, the sonata exclusively applies the mode B flat-B-C-C sharp-F-F sharp-G, which was first used in a narrowed six-note form in 1965 in Fifteen Prints after Dürer's Apocalypse. Formally, the piece is arranged into short contrasting sections which are created from brief repetitive ostinato motifs. With minimal use of thematic and expressive material, the composer achieves effective dramatic abbreviation of the kind which culminated in works from the 1960s. This musical treatment is abandoned only in the final, lyrical part, which anticipates the future development of Fiser's musical language, leading to its simplification and overall dramatic reduction.

Piano Sonata No. 5 was first published in 1996 by Bärenreiter Editio Supraphon Prague, in a re-print of a transcription provided by the Czech Music Fund in whose preparation the composer was also involved at the time. The new edition consistently adheres to this authorised copy of the work, while confining itself to the correction of several apparent omissions and errors.