Complete Piano Sonatas, Volume I 鋼琴 奏鳴曲 騎熊士版

鋼琴奏鳴曲被認為是亞歷山大-斯克裡亞賓創作的核心作品。繼貝多芬之後，沒有其他作曲家能如此徹底地重塑這一體裁，從而重振奏鳴曲的傳統。斯克裡亞賓不僅希望延續現有傳統，而且希望超越現有傳統，這一點早在他的第一首奏鳴曲中就已顯露無遺。從鋼琴家的角度來看，這些作品表現力豐富，想像力充沛，令人振奮。在第三首奏鳴曲之前，斯克裡亞賓對結構的連貫性和迴圈的統一性有了獨特的感受，同時也透露出詩意的特質"

作曲家: Skrjabin, Aleksandr
校訂者: Flamm, Christoph
樂器: piano 鋼琴
出版社: Bärenreiter 騎熊士(小熊版)
原文簡介:
The piano sonatas are regarded as the central works of Alexander Skrjabin’s compositional output. No other composer after Beethoven reshaped this genre so radically, thereby reinvigorating the tradition of the sonata. Skrjabin’s desire not simply to continue the existing tradition, but to surpass it, is evident as early as his first sonatas. These are exciting works from the pianist’s perspective and in their abundance of expression and wealth of imagination. Up to the third sonata Skrjabin developed a distinctive feeling for structural coherence and cyclical unity which at the same time revealed poetic qualities.

This volume contains the earlier works; sonatas officially published during the composer’s lifetime as No. 1 op. 6, No. 2 (Sonate-Fantaisie) op. 19 and No. 3 op. 23 as well as the sonatas written during his youth, in G-sharp minor (1886) and E-flat minor (1887-89). The edition also includes the virtually unknown fragment of a sonata in C-sharp minor (1887) and the reconstructed parts of a sonata in G-sharp minor (1892) never previously published.

The editor Christoph Flamm draws on autograph manuscripts, first printed editions and on Russian editions of the 1920s. For the first time the recordings of Sonatas nos. 2 and 3 which Skrjabin made in 1908 on paper rolls for the Hupfeld company, Leipzig are also taken into account.

- Urtext edition reflecting the latest scholarship and taking previously unknown sources into account

- Includes all fragmentary works, some published for the first time

- Detailed foreword Ger/Eng) and critical commentary (Eng)