Concert Rondo for Piano A major K. 386 莫札特 音樂會 迴旋曲 鋼琴 騎熊士版

莫札特鋼琴與管弦樂隊的《迴旋曲》手稿有著令人難以置信的歷史。19 世紀 30 年代，幾乎完整的手抄樂譜在倫敦拍賣會上被逐頁拍賣。有些被拍賣的樂譜甚至被撕成兩半。毫不奇怪，原版樂譜散落到世界各個角落，如今已殘缺不全。如今，莫札特手寫樂譜的大部分已經重見天日，但仍然存在很大的空白"

作曲家: Mozart, Wolfgang Amadeus
改編者: Potter, Cipriani
校訂者: Töpel, Michael
樂器: for Piano
出版社: Bärenreiter 騎熊士(小熊版)
原文簡介:
The manuscript of Mozart’s Rondo for piano and orchestra has an incredible history. The almost complete autograph score was sold page by page at auction in London during the 1830s. Some of the pages auctioned off were even ripped in half. Not surprisingly, the original was scattered to all corners of the globe and is now incomplete. Today large sections of Mozart’s handwritten score have resurfaced, but large gaps still remain.

The only source that contains the entire work is an arrangement for solo piano by the composer Cipriani Potter (1792-1871). He produced his arrangement before the auction took place and published it in 1838 with the added remark:

“Arranged from the original score in the author's own hand writing.”

A comparison with the end of the Rondo, which resurfaced only a few years ago, reveals the extent of Potter’s interventions. Our new performing edition of Potter’s original print reproduces this ending as an optional alternative while also drawing on the fragments of Mozart’s autograph. We also print a cadenza suggested by the editor since no cadenza by Mozart has survived for this work.

Potter’s arrangement preserves the extraordinarily beautiful sound quality of Mozart’s original for performances without orchestra. Our volume makes this important source available once again to performing musicians.

- A major Mozart document made available once again to performers

- Scholarly-critical edition that compares Potter’s arrangement with Mozart’s manuscript fragment for the first time

- A welcome addition to the concert repertoire for piano

- Preface in English and German