La Gloria e Imeneo, RV 687 Critical Edition by Alessandro Borin 韋瓦第 榮耀之神與婚姻之神

a Gloria e Imeneo》（RV 687）屬於安東尼奧-維瓦爾第所謂的 "法國小夜曲 "系列，即在十八世紀 1710 年代中期至 1720 年代中期創作和演奏的一系列作品，用於慶祝與法蘭西王國及其駐義大利外交代表有關的重要經常性和非經常性事件。這首小夜曲實際上是法國駐威尼斯大使雅克-文森特-朗格（Jacques-Vincent Languet，Gergy 伯爵）在路易十五與波蘭公主瑪麗亞-萊什奇斯卡（Maria Leszczyska）的婚禮上委託維瓦爾第創作的，並於 1725 年 9 月 12 日晚在大使花園舉行的慶典上演奏。本批判版根據都靈國家大學圖書館收藏的親筆樂譜製作。它還包括一篇導言，介紹了《小夜曲》的起源和首演、資料來源及其音樂內容。批判性版本包括一個儀器，記錄了親筆簽名樂譜和二次整理資料之間的所有變體，以及詩歌文本的外交解釋版本，由於沒有歌詞本流傳下來，該版本是根據小夜曲手稿注釋下方的文字推斷出來的"

作曲家: Antonio Vivaldi
校訂者: Alessandro Borin
樂器: Choral; Viola; Violin; Basso Continuo
出版社: Ricordi
原文簡介:
La Gloria e Imeneo, RV 687, belongs to a group of so-called 'French serenatas' by Antonio Vivaldi, namely a series of works composed and performed between the mid-1710s and mid-1720s of the eighteenth century in celebration of important recurrent and non-recurrent events relating to the Kingdom of France and its diplomatic representatives resident in Italy. This serenata was indeed commissioned from Vivaldi by the French ambassador in Venice, Jacques-Vincent Languet, Count of Gergy, on the occasion of the wedding of Louis XV to the Polish princess Maria Leszczyska, and was performed during a festa that took place in the ambassador's garden on the evening of 12 September 1725. This critical edition is based on the autograph score held by Biblioteca Nazionale Universitaria of Turin. It also includes an Introduction that describes the genesis and the first performance of the Serenata, the state of the sources and its musical content. The critical edition includes an apparatus that records all the variants between the autograph score and the secondary collate sources, and a diplomatic-interpretative edition of the poetic text, inferred - since no librett has come down to us - by the words underlaid to the notes in the manuscript of the serenata.