Sonate Violin and Basso Continuo RV11, RV37 Critical Edition Score 韋瓦第 小提琴 小提琴(含鋼琴伴奏)

維瓦爾第時代的絕大多數小提琴奏鳴曲，包括維瓦爾第本人的奏鳴曲，都是以採用兩個譜表的樂譜形式流傳下來的：一個是小提琴譜表，另一個是低音譜表。這就保證了，雖然作品可能會有部分缺失，但流傳下來的都是完整的文本。例外的是，維瓦爾第的五首小提琴奏鳴曲僅保存在格拉茨 Diözesanarchiv 收藏的一本小提琴部分樂譜中，大提琴的補充部分已經消失。這些奏鳴曲似乎是德累斯頓組曲（1716-1717 年）和曼徹斯特組曲（約 1726 年）之間的作品。其中三首奏鳴曲都有四個樂章，在其他資料中也有部分樂章與這三首奏鳴曲共用兩個或三個樂章，但其中兩首--RV 11 和 RV 37--迄今為止只在格拉茨發現過（除了 RV 11 的題記見於當代主題目錄）。這一批判性版本使這兩部作品可供研究和演奏。低音部分是編輯重建的，此外還有編輯實現的連續音"

作曲家: Antonio Vivaldi
樂器: Violin; Basso Continuo
出版社: Ricordi
原文簡介:
The vast majority of violin sonatas from Vivaldi's time, including those of Vivaldi himself, have come down to us in the form of a score employing two staves: one for violin, and one for bass. This guarantees that, although portions of the work may be missing, what survives is textually complete. Exceptionally, five of Vivaldi's violin sonatas are preserved solely in a partbook for violin held by the Diözesanarchiv, Graz, the complementary part for cello having disappeared. The sonatas appear to date from the period between the Dresden group (1716-1717) and the Manchester set (c. 1726). Three of the sonatas, which all have four movements, possess partial concordances in other sources, with which they share two or three movements,but two of them - RV 11 and RV 37 - have so far been found only in Graz (with the exception of an incipit for RV 11 found in a contemporary thematic catalogue). This critical edition makes these two works available for study and performance. The bass part is an editorial reconstruction, and there is in addition a realization of the continuo by the editor.