Impromptus op. 90 D 899, op. post. 142 D 935 舒伯特 即興曲 騎熊士版

1827 年秋，舒伯特創作了八首即興曲，準備由維也納的哈斯林格出版全集。當這一計畫失敗後，舒伯特向肖特提供了他的即興曲，這些即興曲可以單獨出版，也可以四首一起出版"。這些作品的名稱可能源自出版商哈斯林格，舒伯特後來以作品集的形式出版時也使用了這個名稱。142. 這些抒情浪漫主義作品適合高年級鋼琴學生演奏，具有奏鳴曲樂章的特點。羅伯特-舒曼認為這些作品是四樂章奏鳴曲的一部分，他在評論中提到了迪亞貝利於1839年出版的第二部作品集"

作曲家: Schubert, Franz
校訂者: Dürr, Walther
樂器: piano 鋼琴
出版社: Bärenreiter 騎熊士(小熊版)
原文簡介:
In autumn 1827 Schubert composed eight "Impromptus" for publication as a complete collection by Haslinger in Vienna. When the plan fell through, Schubert offered his "Impromptus" to Schott as pieces which "could be issued individually or all four together”. The name of the works probably originated from the publisher Haslinger and Schubert also used it for his collection published later as op. posth. 142. The lyrical-romantic works are suitable for advanced piano students and have the character of sonata movements. Robert Schumann who regarded them as parts of a four-movement sonata, drew attention to the second collection published by Diabelli in 1839 in his review.

For the first time this scholarly-critical Urtext edition presents the musical text of the "New Schubert Edition" in new engraving and with optimum page-turns. The fingering takes essential aspects of performance practice of Schubert’s time as well as performance on the modern concert grand piano into consideration.

A detailed foreword, suggestions for performance and notes on the evaluation of the primary sources complete the edition.

- Scholarly-critical editions based on the Urtext of the New Schubert Edition, taking all known sources into account

- Newly engraved editions with optimum page-turns

- With fingering and suggestions for performance (Ger/Eng) by Mario Aschauer

- With a detailed foreword (Ger/Eng) and critical commentary (Eng)

Mario Aschauer

studied piano, historical keyboard instruments, conducting and musicology in Linz, Salzburg and Vienna. He performs as a soloist and chamber musician, with groups including the Austrian Calamus Consort, presenting a wide-ranging repertoire on fortepiano, harpsichord and organ.