Sonatas for Violin and Basso continuo op. 5, VII-XII (Volume 2) 柯雷里阿爾坎傑羅 奏鳴曲 小提琴 騎熊士版

1700年，當時的小提琴大師阿坎傑羅-科雷裡在羅馬出版了《小提琴與低音提琴奏鳴曲作品集V》。這些奏鳴曲是他那個時代小提琴演奏的彙編，為日後的小提琴創作奠定了基礎"

作曲家: Corelli, Arcangelo
校訂者: Hogwood, Christopher / Mark, Ryan
樂器: for Violin and Basso continuo
出版社: Bärenreiter 騎熊士(小熊版)
難度: 4
原文簡介:
Arcangelo Corelli, the violin virtuoso of his time, published his “Sonatas for Violin and Basso continuo opus V” in Rome in 1700. These sonatas are a compendium of violin playing of his time and laid the groundwork for future violin compositions.

Over the years the sonatas have been published in nearly 100 editions, all based on Corelli’s first edition which contains only the solo violin line above an unrealized bass line. Today, the sonatas are well known in numerous modern continuo realizations. However a realization from Corelli’s time by Antonio Tonelli also exists and is presented here for the first time in a modern performing edition. This realization is surprising in that it contains full chords, sometimes played by both hands.

In addition, Bärenreiter’s new scholarly-critical edition includes for the first time many violin embellishments. For the most part they have been found in handwritten documents by Tartini, Geminiani, McGibbon, Dubourg and Roger (from a re-print of the sonatas from c. 1710). These embellishments are presented in a separate booklet which players can place alongside Corelli’s original on the music stand.

Complementing this Urtext edition are a historical introduction, a critical commentary and an appendix containing preludes to the sonatas for keyboard by Tonelli.

- Score with realization of the basso continuo by Tonelli as well as Corelli’s unrealized figured bass line

- With a separate Urtext violin part

- With a separate unrealized figured continuo part

- Includes a supplement with violin embellishments

- Appendices in both volumes with source descriptions and critical commentaries

- Preludes for keyboard instrument by Tonelli in the appendix of volume 2