Choralvorspiele, Band 2 op. 34 合唱 騎熊士版

卡爾-皮烏蒂（1846-1902 年）是萊比錫音樂學院的教師和萊比錫聖托馬斯教堂的管風琴師。他創作了許多晚期浪漫主義風格的管風琴作品，包括《二百首管風琴合唱前奏曲》（作品 34）。這些管風琴前奏曲是 19 世紀末最常被聽到的禮儀管風琴音樂之一。它們融合了合唱曲的闡述、旋律的具象化、引人注目的和聲、托卡塔式的精湛技藝和模仿，其本身絕不是目的，而是始終服從於基本讚美詩曲調的精髓"

作曲家: Piutti, Carl
校訂者: Weyer, Martin
樂器: organ 管風琴
出版社: Bärenreiter 騎熊士(小熊版)
難度: 3
原文簡介:
Carl Piutti (1846–1902) was a teacher at the Leipzig Conservatory and an organist at St. Thomas ’s in Leipzig . He wrote many organ pieces in a late-romantic vein, including Two Hundred Chorale Preludes for Organ, op. 34. These organ preludes were among the most frequently heard liturgical organ music of the late 19th century. Their mixture of chorale elaboration, melodic figuration, striking harmony, toccata-like virtuosity and imitation was never an end in itself, but always subservient to the essence of the underlying hymn tunes.

Influences from Mendelssohn are evident in the melodic writing.

In a preface to the first edition the composer himself claimed: “The pieces in this collection are all written for worship in church. With few exceptions they can be used equally well as preludes or postludes. If the short ones are suitable only as plain introductions to congregational singing, the longer ones will find their places as postludes or festive preludes.

Most of the pieces are easy to play; none of them are truly difficult; a trained organist will be able to play many of them at sight after having skimmed the page.”

Unlike the first edition, the keys in this projected three-volume series have been adapted to conform with the Lutheran Hymnal and the Gotteslob .

- A treasure trove of romantic chorale preludes

- Keys conform to the Lutheran Hymnal and “ Gotteslob ”