String Quartets Op. 12 and 13 弦樂四重奏 亨乐版

絃樂四重奏一般被認為是古典時期的室內樂體裁：由海頓發明，海頓和莫札特加以發展，貝多芬將其推向創作高峰。後來的所有四重奏作曲家都必須以這三位元大師的作品為標準來衡量自己。這首先適用於孟德爾松，他一直被稱為 "古典浪漫派"。他的 A 小調四重奏作品 尤其是他的 A 小調四重奏作品 13，據說具有強烈的貝多芬風格特徵。它創作於 1827 年夏末秋初，貝多芬的晚期四重奏剛剛問世不久，孟德爾松無疑對這些作品非常熟悉。降 E 大調四重奏作品 12 是兩年後的作品。降 E 大調四重奏作品 12 是兩年後孟德爾松首次巡演英國期間創作的。這兩首四重奏文字完全相同的樂譜出版於 Henle 的研究樂譜系列（HN 9270）"

作曲家: Felix Mendelssohn
校訂者: Ernst Herttrich
樂器: String Quartet
出版社: Henle Urtext Edition

曲目:
Mendelssohn Bartholdy: String Quartet a minor op. 13
Mendelssohn Bartholdy: Appendix: Song 'Frage' op. 9,1
Mendelssohn Bartholdy: String Quartet E flat major op. 12

原文簡介:
The string quartet is generally considered as the chamber-music genre of the classical era: invented by Haydn, elaborated by Haydn and Mozart, and brought to its compositional peak by Beethoven. All later quartet composers had to measure themselves against the works of these three masters. This applies first and foremost to Mendelssohn, who has always been called a “classical romantic.” His Quartet in A minor op. 13 in particular is said to have strong Beethovenian stylistic traits. It was composed in late summer and fall 1827, shortly after Beethoven's late quartets appeared in print, works that Mendelssohn was no doubt familiar with. The Quartet in E flat major op. 12 was written two years later, during Mendelssohn's first tour of England. A textually identical score of the two quartets is published in Henle's Study Score series (HN 9270).