Violin Concerto WoO 1 Concerto for Violin and Orchestra in D minor 舒曼．羅伯特 小提琴協奏曲 協奏曲小提琴管弦樂團 小調 小提琴加鋼琴 朔特版
這首 19 世紀重要作品的新演奏資料現已作為羅伯特-舒曼作品評論版全集的一部分出版，並採用了出色的記譜法和高標準的編輯。由於我們今天仍無法理解的原因，克拉拉-舒曼在約瑟夫-約阿希姆和約翰內斯-勃拉姆斯的支持下，壓制了羅伯特-舒曼的晚期作品，甚至銷毀了其中的一些。直到 1937 年，舒曼的最後一部重要作品--《D 小調小提琴協奏曲》才引起公眾的注意。 克利斯蒂安-特茨拉夫（Christian Tetzlaff）關於弓法和指法的注釋同時包含在鋼琴重奏和獨奏部分中
作曲家: Schumann, Robert
樂器: violin and orchestra
出版社: Schott Music
曲目:
Piano reduction: - Vorwort - Zur Solostimme - Foreword - The solo part - Préface - À propos de la partie du violon solo - Konzert für Violine und Orchester (d-Moll): - I Im kräftigen, nicht zu schnellen Tempo - II Langsam - III Lebhaft, doch nicht schnell - Solo part: - Zur Solostimme - The solo part - À propos de la partie du violon solo - Konzert für Violine und Orchester (d-Moll): - I Im kräftigen, nicht zu schnellen Tempo - II Langsam - III Lebhaft, doch nicht schnell
New performance material of this 19th-century key work is now published as part of the complete critical edition of the works by Robert Schumann, in an excellent notation and with a high editorial standard. For reasons that we still cannot comprehend today, Clara Schumann, supported by Joseph Joachim and Johannes Brahms, suppressed the late works of Robert Schumann and even destroyed some of them. It was not until 1937 that the Violin Concerto in D minor, Schumann's last major work, was brought to the public's attention. With its very own mixture of neo-Baroque style and ambiguous virtuosity, it stands for the unfathomable sides of German Romanticism and already portends the concert aesthetics of the 20th century.Christian Tetzlaff's note on his bowings and fingerings are included in both, the piano redution and the solo part.