Marraskuu (November) 鋼琴三重奏 朔特版

芬蘭語'Marraskuu'意為'十一月'；此外，'marras'意為'沉悶、死亡、浪費'。Marraskuu 是對我最喜歡的季節之一的致敬，因此標題不應該讓人產生陰暗的聯想。這首鋼琴三重奏於 1998 年 11 月在赫爾辛基完成，1999 年 11 月由 Présence 三重奏（E. Windrich、G. Waterhouse、M. Wendeberg）首演，2004 年 11 月在巴黎進行了全面修改。在這首作品中，聽者越是不能發現清晰的表達和單一的發展，就越能注意到細小的細節：旋律片段、一些技巧性的紋理和類似康杜克的段落。此外，這首曲子還具有一定程度的自由性和隨意性，這主要是由於樂段允許演奏者在一定的時間範圍內選擇自己的樂段。這也是樂譜的詳細精確性提供某種平衡的原因，使演奏者不至於過於'有教養'地演奏

作曲家: Schweitzer Benjamin
樂器: violin, cello and piano
出版社: Schott Music
原文簡介:
The Finnish word ‘Marraskuu’ means ‘November’; furthermore, ‘marras’ means sth. like ‘dull, dead, waste’. Marraskuu is a homage to one of my favourite seasons, so the title should not mislead to primarily dark and gloomy associations. Completed in November 1998 in Helsinki, the piano trio was premiered by the Trio Présence (E. Windrich, G. Waterhouse, M. Wendeberg) in November 1999 and thoroughly revised in Paris in November 2004. The less clear expression and one-dimensional developments will be found, the more the listener’s attention will be sharpened to small details: melody fragments, some virtuoso textures, and Kondukt-like passages. Moreover, the composition involves a certain degree of freedom and sleaziness, which is, among others, the result of sections enabling the players to choose their entries in a certain time frame. That’s where the detailed precision of the notation offers some kind of counterweight, holding players off a too ‘educated’ performance.
難度: difficult