Clarinet Sonata, Op. 167 聖桑斯 豎笛奏鳴曲 豎笛(含鋼琴伴奏) 亨乐版

Henle在出版Urtext版本時首次獲得了單簧管奏鳴曲作品167的親筆簽名。"聖桑逝世那年，他在 Apirl 寫給一位朋友的信中寫道："此刻，我正傾盡最後一絲精力，讓那些很少被人關注的樂器有機會得到聆聽。一首雙簧管奏鳴曲、一首單簧管奏鳴曲和一首巴松管奏鳴曲就這樣創作完成了，但他沒有聽到首演。就形式和音調而言，三首管樂奏鳴曲作品 166-168 追溯到 18 世紀的英勇風格，因此接近 1920 年前後的新古典主義運動。幽默、詼諧和諷刺是這些管樂作品的特點"

作曲家: Camille Saint-Saëns
校訂者: Peter Jost
樂器: Clarinet; Piano Accompaniment
出版社: Henle Urtext Edition
原文簡介:
Henle was able to consult the autograph of the Clarinet Sonata op. 167 for the first time for their Urtext edition. “At the moment I am putting my last ounce of energy into giving seldom considered instruments an opportunity to be heard,” Saint-Saëns wrote to a friend in Apirl of the year he died. A sonata for oboe, one for clarinet and one for bassoon were thus composed; yet he was not to hear the premieres. As far as form and inflection are concerned, the three wind sonatas op. 166-168 hark back to the gallant style of the 18th century and thus approach the neoclassicism movement around 1920. Humor, wit and fine irony characterize these works for wind.