Concerto for Piano (Harpsichord) and Orchestra D Major Hob.XVIII:11 2 Pianos, 4 Hands 海頓 協奏曲 大鍵琴 管弦樂團 雙鋼琴 亨乐版

與莫札特相比，海頓並不是一位元鍵盤演奏家。他當然會用大鍵琴指揮管弦樂作品，也會演奏自己的鋼琴奏鳴曲，但他的天性中並沒有成為鋼琴協奏曲演奏家的野心。因此，海頓 "僅 "有三首鋼琴協奏曲流傳於世。D大調鋼琴與樂隊協奏曲》（Hob. XVIII）以其清新動聽的旋律、細微的和聲以及清晰的古典協奏曲結構而成為最常演奏的曲目。XVIII 是最常演奏的曲目。儘管這首協奏曲備受矚目，但我們既不知道它的創作背景，也不知道它的創作年份。我們的鋼琴縮寫版序言詳細闡述了這些問題。該版本以海頓全集的音樂文本為基礎，海頓全集同樣由 G. Henle 出版社出版"

作曲家: Joseph Haydn
校訂者: Horst Walter
樂器: Piano Duet; 2 Pianos, 4 Hands
出版社: Henle Urtext Edition

曲目:
Haydn: Concerto for Piano (Harpsichord) and Orchestra D major Hob. XVIII:11

原文簡介:
In contrast to Mozart, Haydn was not a keyboard virtuoso. He certainly conducted his orchestra works from the harpsichord, and also performed his own piano sonatas, but any ambition to be a concertizing pianist was foreign to his nature. Thus “only” three piano concertos by Haydn have come down to us. Owing to its catchy, fresh melodies, its harmonic nuances and its clear classical concerto architecture, the Concerto for piano and orchestra in D Major Hob. XVIII is the most frequently played. In spit of its high profile we know neither the occasion for which it was written nor the year of its composition. The preface to our piano reduction edition deals with these questions in detail. The edition is based on the musical text of the Haydn Complete Edition, which is likewise published G. Henle Publishers.