Variations, Rondo, & Dances Violin and Piano 貝多芬 變奏曲 舞曲 小提琴(含鋼琴伴奏) 亨乐版

貝多芬親自將這三部作品設計為 "小品"，意指其技術要求高，藝術分量輕。莫札特《費加羅的新歌劇》中的 "Se vuol ballare "變奏曲很可能是在波恩創作的，而《迴旋曲》則最遲可追溯到維也納時期。六首《德意志舞曲》是 1796 年為頭兩位布拉格圖恩男爵夫人創作的臨時作品，這樣她們就可以--正如我們在一份古老的副本上看到的那樣--"在別人的頭上按照自己的曲調跳舞"。鑒於曲調並不複雜，年輕女伯爵的音樂能力肯定相當有限。總之，這三首曲子為年輕的小提琴家和鋼琴家們提供了一個很好的準備，讓他們可以學習貝多芬後期的作品"

作曲家: Ludwig van Beethoven
校訂者: Sieghard Brandenburg
樂器: Violin; Piano Accompaniment
出版社: Henle Urtext Edition
原文簡介:
Beethoven personally designed these three works as “minor pieces,” thus referring to their technical demands and their light artistic weight. While the variations on “Se vuol ballare” from Mozart's Le Nozze di Figaro had most likely been written in Bonn, the Rondo dates from the first Viennese years at the latest. The six Deutsche Tänze (German Dances) are an occasional work from 1796 for the first two Prague Baronesses Thun so that they could – as we can read on an old copy – “dance to their tunes on other people's heads.” In view of the rather unsophisticated writing, the musical abilities of the young countesses must have been fairly limited. Altogether, the three pieces offer young violinists and pianists a welcome preparation for Beethoven's later pieces in this scoring.