Invitation to the Dance D Flat Major Op. 65 Piano Solo 韋伯卡爾 舞曲 鋼琴 亨乐版

除了歌劇《自由女神》之外，韋伯的降 D 大調作品 65《邀舞曲》也是他最著名的作品。65 是他最著名的作品。在 19 世紀，韋伯的這首熱情洋溢的作品被認為是華爾滋的虛擬化身。韋伯在這首曲子中以協奏曲的形式表現了狂熱的比德邁時代的華爾滋，讓一個華爾滋跟隨另一個華爾滋，時而輕輕搖擺，時而大步跺腳。這些樂章由詩意的引子和終曲構成。這部作品的Urtext版本以親筆簽名的清樣為基礎，同時也參考了初版本和抄寫員的手稿。除了這些來源的資訊外，人們還可以在編者的詳細序言中瞭解到韋伯在首演時對引子和終曲的程式化詮釋，從而生動地想像出這部作品的舞蹈表演"

作曲家: Carl Maria von Weber
校訂者: Matthias S. Viertel
樂器: Piano
出版社: Henle Urtext Edition
原文簡介:
Alongside the opera “Der Freischütz”, Weber's “Invitation to the Dance” in D flat major op. 65 is his most famous work. In the 19th century, Weber's spirited piece was considered the virtual incarnation of the waltz. Weber here arranged the waltz frenzy of the dance-crazy Biedermeier era in a concertante form, letting one waltz follow the other, sometimes gently swaying, sometimes widly stomping. The movements are framed by a poetic introduction and a finale. The work is presented here in an Urtext edition based on the autograph fair copy, but also takes into account the first edition and a copyist's manuscript. Besides information concerning these sources, one can read in the editor's detailed preface about the programmatic interpretation that Weber is supposed to have given to the introduction and finale at the first performance, allowing one to vividly imagine a danced execution of the work.