Double Bass Concerto Double Bass with Piano Reduction 協奏曲 鋼琴 低音大提琴(含鋼琴伴奏) 亨乐版

繼迪特斯多夫（51480759）和霍夫邁斯特（51480721）之後，約翰-巴蒂斯特-范哈爾（Johann Baptist Vanhal）和他唯一的低音提琴協奏曲為亨勒目錄中的古典低音提琴文獻再添亮點。這部精湛的作品僅在著名低音提琴演奏家約翰內斯-斯佩爾格（Johannes Sperger，1750-1812 年）的遺產中發現了其擁有的一個部分的複製品，由於獨奏部分有許多後來添加的內容（尤其是八度轉調），因此引起了一些疑問。在亨勒的Urtext版本中，托比亞斯-格洛克勒（Tobias Glöckler）為這一難題提出了解決方案，並為演奏家精心準備了音樂文本。鋼琴縮寫本用兩個調（C 大調和 D 大調）印刷，可以在獨奏和管弦樂中隨意演奏。此外，還特別設計了以指法記譜法編寫的附加部分，用於演奏凡哈爾時代慣用的 "維也納調式"。它讓演奏者無需進行繁瑣的再訓練，就能立即使用這種具有歷史共鳴的調式"

作曲家: Johann Baptist Vanhal
校訂者: Tobias Glöckler
樂器: Double Bass; Piano Accompaniment
出版社: G. Henle Verlag
原文簡介:
Following Dittersdorf (51480759) and Hoffmeister (51480721), Johann Baptist Vanhal and his sole double-bass concerto add a further highlight to the classical bass literature in Henle's catalog. The virtuoso work was transmitted only in a copy of a part owned by the famous double-bass player Johannes Sperger (1750-1812) and found in his estate, which raises a few questions on account of the many later additions in the solo part (especially concerning the octave transpositions). In Henle's Urtext edition, Tobias Glöckler proposes a solution to this dilemma with a musical text that is outstandingly well-prepared for the performing artist. The piano reduction is printed in two keys (C and D major), which allows for performances in the solo and orchestral tuning or, at will. Moreover an additional part, written in fingering notation, has been specially designed for use with the “Viennese tuning” customary in Vanhal's days. It allows players to use this resonant historical tuning immediately without tedious retraining.