Cello Sonata in A Major, Op. 69 Cello and Piano 貝多芬 奏鳴曲 大提琴(含鋼琴伴奏) 亨乐版

在貝多芬的五首大提琴奏鳴曲中，1809 年出版的作品《大奏鳴曲》（Grande Sonate op. 在貝多芬的五首大提琴奏鳴曲中，發表於 1809 年的作品 69《大奏鳴曲》不僅是最重要的作品，在音樂上也是最重要的作品。兩件樂器的巧妙結合從一開始就以一種近乎程式化的方式展現出來，大提琴以其男高音的音色首先奏出一段旋律，然後鋼琴繼續演奏。在這首奏鳴曲中，貝多芬還取消了慢板樂章，但在終曲的引子部分，卻以一段迷人的Adagio Cantabile作為補償。延斯-杜夫納（Jens Dufner）的Urtext版本是基於他對《貝多芬全集》評論報告的研究，因此具有最高學術水準的音樂文本。在序言和評論報告中，他概述了這首奏鳴曲的起源和來源情況。伊恩-福泉（Ian Fountain）和大衛-格林加斯（David Geringas）提供了指法"

作曲家: Ludwig van Beethoven
校訂者: Jens Dufner
樂器: Cello; Piano Accompaniment
出版社: Henle Urtext Edition
原文簡介:
Of Beethoven's five cello sonatas, the Grande Sonate op. 69, published in 1809, is not only the centerpiece, but also musically the most significant. The artful coupling of the two instruments is on display from the outset in an almost programmatic manner, when the cello with its tenor timbre first intones a melody that the piano then continues. In this sonata, too, Beethoven dispenses with a slow movement while nevertheless compensating us with an enchanting Adagio cantabile introduction to the finale. The Urtext edition by Jens Dufner is based on his research for the Critical Report of the Beethoven Complete Edition and thus features a musical text at the highest scholarly level. In the preface and Critical Report, he outlines the genesis and source situation of the sonata. Ian Fountain and David Geringas provide the fingerings.