Chopin: Scherzos, Opp. 20, 31, 39, 54 蕭邦 詼諧曲
弗雷德里克-蕭邦的迴旋曲是鋼琴曲目的主打曲目。在這些作品中，蕭邦摒棄了古典時期輕快的迴旋曲形式，捕捉到了強烈的情感。第一號迴旋曲，作品 20，創作於 1830 年至 1831 年之間，與他的 Études, 作品 10 和 Ballad No.第二號迴旋曲，作品 31，創作於 1835 年至 1837 年之間。這首曲子可能是整套作品中最著名的一首，開頭是一個令人難忘的低沉、疑問的音符，隨後是戲劇性的、響亮的和絃。作品 39 中的第 3 號迴旋曲創作於 1839 年，當時蕭邦正在馬略卡島進行冬季旅行。這首曲子是獻給蕭邦的學生阿道夫-古特曼的。第四號迴旋曲，作品 54，作於 1842 年。這本新雕版經過深入研究，對早期資料進行了比較，包括第二號和第四號小夜曲的兩份現存手稿。蕭邦的指法是從他的學生們使用的複製品中保留下來的（用斜體標出），也包括了編輯的指法建議。序言部分包括評論性說明和演奏建議、對揉弦的討論以及蕭邦裝飾音的例子和實現建議。約瑟夫-巴諾維茨被《Fanfare Record Review》（美國）稱為當代鍵盤藝術家中的巨人，被《Ruch Muzyczny》（華沙）稱為最高貴的演奏家。他的獨奏和管弦樂獨奏足跡遍佈五大洲 35 個國家。巴諾維茨在國際上發行了超過 35 張商業唱片，其中兩張獲得格萊美入圍提名。巴諾維茨畢業於維也納音樂與戲劇藝術學院。他的老師包括卡爾-弗裡德貝格（克拉拉-舒曼的學生）和捷爾吉-桑多爾（貝拉-巴托克的學生）。目前，巴諾維茨是北德克薩斯大學音樂學院鋼琴演奏教授。欲瞭解更多資訊，請訪問 www.jmbanowetz.com.This 版榮獲 2017 年音樂出版商協會保羅-雷維爾優秀圖文獎"
作曲家: Chopin Frédéric
校訂者: Joseph Banowetz
樂器: Piano
出版社: Alfred Music
難度: Advanced;
風格: Masterwork
原文簡介:
Frédéric Chopin's Scherzos are a staple of the piano repertoire. In them, Chopin abandons the lighthearted scherzo form of the Classical period to capture powerful emotions. Scherzo No. 1, Op. 20, was composed between 1830 and 1831, around the same time as his Études, Op. 10, and Ballad No. 1 in G Minor, Op. 23. Scherzo No. 2, Op. 31, was composed between 1835 and 1837. It may be the most famous of the set, and has a memorable opening of hushed, questioning notes followed by dramatic, loud chords. Scherzo No. 3, Op. 39, was composed in 1839 while Chopin was on a winter trip to Mallorca. It was dedicated to Chopin's pupil Adolf Gutmann. Scherzo No. 4, Op. 54, was composed in 1842. It is the only Scherzo in a major key.This newly engraved edition has been thoroughly researched, with comparisons made between early sources, including the two existing manuscripts for Scherzos 2 and 4. Chopin's fingerings, which have been preserved from copies used by his students, have been included (marked in italics), as well as editorial fingering suggestions. Prefatory matter includes critical notes and performance suggestions, discussion of rubato, and examples of Chopin's ornamentation with suggested realizations. Detailed analysis of the form of each Scherzo is also provided.Joseph Banowetz has been described in Fanfare Record Review (U.S.) as "a giant among keyboard artists of our time" and by Ruch Muzyczny (Warsaw) as "a virtuoso in the noblest sense of the word." He has been heard as recitalist and orchestral soloist on five continents, in over 35 countries. Banowetz has internationally released over 35 commercial recordings, two of which have received finalist Grammy nominations. Banowetz is a graduate from the Vienna Academy for Music and Dramatic Arts. Among his teachers have been Carl Friedberg (a pupil of Clara Schumann's) and György Sándor (a pupil of Béla Bartók's). Currently, Banowetz is Professor of Piano Performance at the College of Music of the University of North Texas. For more information, visit www.jmbanowetz.com.This edition is a winner of the 2017 Music Publishers Association Paul Revere Awards For Graphic Excellence.