Easy Organ Pieces, Volume 3 管風琴 小品 騎熊士版

們的 "19 世紀管風琴簡易樂曲系列 "第 3 卷為半專業管風琴演奏者提供了另一套簡短的單手或雙手管風琴樂曲集。編者馬丁-韋爾（Martin Weyer）是一位被譽為十九世紀管風琴音樂權威的管風琴演奏家，他的選擇僅限於那些兼具精湛技藝和易於演奏的作品"

校訂者: Weyer, Martin
樂器: organ 管風琴
出版社: Bärenreiter 騎熊士(小熊版)
原文簡介:
Volume 3 in our series of easy nineteenth-century organ music provides semi-professional organists with another collection of short one or two manual organ pieces. The editor Martin Weyer , an organist regarded as an authority on nineteenth-century organ music, has limited his selection to works that combine solid craftsmanship with ease of performance.

In essence, volume 3 follows the editorial principles of its two predecessors while increasing the number of truly easy pieces. Among the composers represented is the Dutchman Johannes Barend Litzau (1822–1893), whose Preludes op. 13 and 17 are simple yet elegant works for beginners. The Czech composer Johann Beranek (1813–1885), on the other hand, was more concerned with counterpoint; his Ten Fugues appear here for the first time with detailed analyses to underscore the volume’s “learned” slant. Carl Gottlieb Umbreit (1763–1829) and his colleague Michael Gotthard Fischer (1773–1829) stand at the borderline between a galant organ style derived from Kittel and the early romantic age. Another composer who took part in this subtle stylistic evolution was Johann Christian Heinrich Rinck .

The brevity of the compositions makes them perfectly suitable for use as preludes and postludes in church services of all denominations. The volume contains detailed comments on performance practice and a list of sources.

- Technically easy romantic literature

- Also playable on smaller instruments

- Short pieces well suited for use in church services

- Notes on performance practice