Two Sketches (1), For Flute And Piano 長笛 鋼琴

菲力浦-高貝（Philippe Gaubert，1879-1941 年）是一位傑出的長笛演奏家。因此，他為長笛創作的作品成為長笛曲目中的佼佼者也就不足為奇了，他的《兩首素描》也不例外。 作為巴黎歌劇院的長笛演奏家，高貝的職業生涯十分輝煌，之後，他被任命為巴黎音樂學院的長笛教授，並擔任主要交響樂團的首席指揮。正是在此期間，高貝開始創作，其中包括由兩個樂章組成的《長笛與鋼琴的兩個素描》。其中第二樂章 "東方 "傳達了許多技術特徵，包括繁盛的半音階段落、寬廣的音域、抒情性、音程、半音階和複雜的節奏。對於有抱負的長笛演奏家來說，《東方--選自兩首素描》是一首具有挑戰性但又令人興奮的作品""

作曲家: Philippe Gaubert
樂器: Flute
出版社: Alphonse Leduc

曲目:
Two Sketches

原文簡介:
“Philippe Gaubert (1879-1941) was a distinguished performer on the Flute. It comes as no surprise, therefore, that his compositions for the instrument are at the forefront of the Flute's repertoire, his Two Sketches being no exception. After a prominent career as a flautist with the Paris Opéra, Gaubert was appointed as professor of Flute at the Paris Conservatoire as well as principal conductor of leading orchestras. It was during this time that Gaubert composed, including his Two Sketches for Flute and Piano, which is made up of two movements. The first of these, Night on the Plain, conveys many technical features, including flourishing semiquaver passages, a wide range, lyricism, intervals, chromaticism and complex rhythms. Night on the Plain from Two Sketches is a challenging yet exciting piece for aspiring flautists.”