Essential Keyboard Études 100 Early Intermediate to Late Intermediate Studies 鍵盤樂器

這本包含 100 首鋼琴練習曲的精選集分為 15 個單元，涵蓋了中級早期、中級和中級後期的技術難題。早期單元回顧了學生在初級階段遇到的技術問題，如五指模式和發音。後面的單元引入了更高難度的技術挑戰，為學生演奏裝飾音、八度音和大和絃等高級曲目做準備。每個單元包含五至十首由巴羅克、古典、浪漫和現代時期的作曲大師創作的練習曲。在每個單元中，練習曲按難度順序排列。每首樂曲都以其原始形式出現，沒有添加或刪除音符。作曲家原有的動態、速度標記、樂句指示和銜接都被保留了下來。在註腳中實現了裝飾。添加的小節編號便於參考，並提供了有關指法和踏板的編輯建議。前言簡明扼要地討論了中級水準的技巧。本手冊包含兩個索引：一個是按單元和技巧分類的索引，另一個是按級別和作曲家分類的索引： 五指音型 * 銜接 * 雙手協調 * 音階 * 三和弦、反切和絃和分解和絃 * 雙音 * 左手發展 * 速度 * 琶音 * 手指和手的獨立性 * 重複音符 * 伴奏音型 * 裝飾音 * 八度音階 * 四和絃和五和絃： 阿拉塔蘭泰拉（Alla Tarantella）（選自 12 首練習曲），作品 39 之 2（麥克道爾）* A 小調練習曲（阿拉貝斯克）（選自 25 首輕鬆漸進練習曲），作品 100 之 2（布格穆勒）* 降 B 大調練習曲（選自 25 首旋律練習曲），作品 108 之 10（施特 10 (Schytte) * C大調Étude（選自《實用鋼琴方法》），作品 249，No. 65 (Köhler) * F大調Étude（選自《青年鋼琴家的第一步》），作品 82，No. 39 (Gurlitt) * G大調Étude（選自《25首初級練習曲》），作品 176，No. D 小調練習曲（戰士之歌）（選自 25 首旋律練習曲），作品 45，No. C 大調練習曲（選自《鋼琴練習曲》），作品 39，第 1 號（克拉默） * 小練習曲（選自《青年專輯》），作品 68，第 14 號（舒曼） * 瑪利亞（romanza sin palabras）（選自《六首表現性研究》）（格拉納多斯） * 功能表曲（選自《鋼琴第一學期》），Sz. 53, No. 16 (Bartók) * 等等。152 頁。精裝"

校訂者: Albert Mendoza
樂器: Piano
出版社: Alfred Music
難度: Early Intermediate / Late Intermediate;
風格: Masterwork
原文簡介:
This essential collection of 100 piano études is divided into 15 units that survey the technical challenges at the early intermediate, intermediate, and late intermediate levels. The early units review technical issues that students experience at the elementary levels, such as five-finger patterns and articulations. The later units introduce more difficult technical challenges that prepare students for advanced repertoire, such as playing ornamentation, octaves, and large chords. Each unit contains between five and ten études written by master composers from the Baroque, Classical, Romantic, and Contemporary periods. Within each unit, the études are arranged in order of difficulty. Each piece appears in its original form; notes have not been added or removed. The composers' original dynamics, tempo marks, phrase indications, and articulations have been preserved. Ornamentation is realized in footnotes. Added measure numbers provide easy reference, and editorial suggestions for fingering and pedaling have been provided. A concise foreword discusses technique at the intermediate levels. Two indexes are included: one by unit and technical skill, and another by level and composer.Unit listing: Five-Finger Patterns * Articulation * Coordination between the Hands * Scales * Triads, Inversions, and Broken Chords * Double Notes * Left-Hand Development * Velocity * Arpeggios * Finger and Hand Independence * Repeated Notes * Accompaniment Patterns * Ornamentation * Octaves * Four- and Five-Note Chords.Titles: Alla Tarantella (from 12 Études), Op. 39, No. 2 (MacDowell) * Étude in A Minor ("Arabesque") (from 25 Easy and Progressive Studies), Op. 100, No. 2 (Burgmüller) * Étude in B-flat Major (from 25 Melodious Studies), Op. 108, No. 10 (Schytte) * Étude in C Major (from Practical Method for the Pianoforte), Op. 249, No. 65 (Köhler) * Étude in F Major (from The First Steps of the Young Pianist), Op. 82, No. 39 (Gurlitt) * Étude in G Major (from 25 Elementary Studies), Op. 176, No. 20 (Duvernoy) * Étude in D Minor ("Warrior's Song") (from 25 Melodic Studies), Op. 45, No. 15 (Heller) * Étude in G Minor (from Training of the Left Hand), Op. 89, Book II, No. 6 (Berens) * Exercise in C Major (from Étude for the Pianoforte), Op. 39, No. 1 (Cramer) * Little Étude (from Album for the Young), Op. 68, No. 14 (Schumann) * Maria (romanza sin palabras) (from Six Expressive Studies) (Granados) * Menuetto (from First Term at the Piano), Sz. 53, No. 16 (Bartók) * and many more. 152 pages. Comb-bound.