Toccata for two pianos 瓦斯克斯 觸技曲 鋼琴 雙鋼琴 朔特版

兩架鋼琴相繼奏出低音主題。 每一次新的進入都會帶來節奏的加快。 然而，只有當它們一起演奏時，真正的'Vivace'才得以釋放。從那時起，只有在 "laramente "部分和抒情的中間部分（cantabile），急促的低音才會暫停片刻。這個主題就像 "永動機 "一樣穿梭於 "托卡塔 "的全過程，為樂章的結構帶來了更加複雜的層次感。拉脫維亞作曲家彼得斯-瓦克斯（Peteris Vasks）因其地理和文化背景而自稱為 "邊緣音樂家"。他的音樂充滿了嚴謹的情感，不斷將他帶向當代作曲的中心，這在他的室內器樂作品中可見一斑"

作曲家: Vasks, Peteris
樂器: 2 pianos
出版社: Schott Music
原文簡介:
The two pianos introduce the bass motif one after another. Every new entry brings an increase in tempo. Only when they play together, though, is the real 'Vivace unleashed. From then on, it is only in the 'largamente' sections and a lyrical middle section (cantabile) that the racing bass figure pauses for a while. The motif weaves its way through the course of the 'Toccata' like a 'perpetuum mobile', bringing ever more complex layering to the structure of the movement. The Latvian composer Peteris Vasks has described himself as a 'musician from the periphery' on account of his geographical and cultural background. His music full of emotional rigour continues to bring him towards the centre of contemporary composition, as is evident in his instrumental chamber works.