Works for Organ or Pedal Piano 舒曼‧罗伯特 钢琴 管风琴 亨乐版

罗伯特-舒曼一生崇敬约翰-塞巴斯蒂安-巴赫及其复调风格。罗伯特-舒曼毕生推崇约翰-塞巴斯蒂安-巴赫及其复调风格。56和 "四首素描 "作品。因此，从 1845 年开始，他在相对较短的时间内创作了 "卡农式六首研究 "作品 56 和 "四首素描 "作品 58，这两首作品让人联想到巴赫的《发明曲》。从音乐史的角度看，为管风琴或脚踏钢琴而作的 "巴赫名六首赋格 "作品 60，是巴赫在 1845 年以后的较短时间内创作的作品。在李斯特和马克斯-雷格的作品之前，为管风琴或脚踏钢琴而作的 "巴赫名六首赋格 "作品是第一批以 B-A-C-H 为主题的重要管风琴作品。舒曼希望通过他的脚踏钢琴作品--莱比锡音乐学院曾有过这样的想法--"为钢琴音乐带来新的尝试"。然而，这种配有脚踏键盘的钢琴在随后的岁月里并未得到广泛传播。因此，用管风琴演奏本版中的舒曼作品是再合适不过的了。编者是著名管风琴演奏家和教授格哈德-温伯格"

作曲家: Robert Schumann
校订者: Gerhard Weinberger
乐器: Organ
出版社: Henle Urtext Edition

曲目:
Schumann: Sketches for Pedalpiano op. 58
Schumann: 6 Fugues on BACH for Organ or Pedalpiano op. 60
Schumann: Studies for Pedalpiano op. 56

原文简介:
Robert Schumann revered Johann Sebastian Bach and his polyphonic style throughout his life. Thus the “Six Studies in Canonic Form” op. 56 and “Four Sketches” op. 58 for pedal piano, which are reminiscent of Bach's Inventions, were composed during a relatively short period starting in 1845. From a music history perspective, the “Six Fugues on the name BACH” op. 60 for organ or pedal piano are the first important organ compositions on the B-A-C-H theme before those by Franz Liszt and Max Reger. with his compositions for pedal piano – the Leipzig School of Music had at one time – Schumann wanted to “bring new impertus to piano music.” However, this type of piano, which was equipped with a pedal keyboard, did not find wide dissemination in the years that followed. Therefore, it is more than legitimate to play the compositions by Schumann presented in this edition on the organ. The editor is the well-known organist and professor Gerhard Weinberger.