Wind Quintet op. 96 (2017) Compressions 木管五重奏 管乐五重奏 芬尼卡·盖尔曼版

基姆莫-哈科拉的管乐五重奏作品96（2017）是受英国皇家音乐学院委约创作的。96》（2017 年）由基米托岛音乐节委约创作。作曲家认为，让合奏最终作为一个有机、连贯的主题进行呼吸和表达，应该是为管乐五重奏作曲的目标。在创作管乐五重奏时，普通的室内乐配置对我来说是不够的：乐器必须被压缩、缩小，甚至挤压在一起，这样在成对和不同的组合中，它们才能产生新的、可行的音频单元。碰撞往往会产生新的东西。基姆莫-哈科拉在作曲生涯中经历了多种风格和影响，他的音乐风格时而扩展到浪漫主义、东方主义和克莱兹梅尔。他的作品风格多样，从私密的独奏作品到长篇歌剧，如受萨翁林纳歌剧节委托创作的《芬尼茨》（2011 年），他的作品已获得国际认可。他的许多作品都是宏大的史诗：例如，他的《钢琴协奏曲》（1996 年）长达 55 分钟。哈科拉说，他视音乐为戏剧。他的戏剧几乎是莎士比亚式的极端探索，从声势浩大的愤怒时刻和激烈的战斗，到安静的冥想时刻和令人心碎的独白"

作曲家: Hakola Kimmo
乐器: wind quintet
出版社: Fennica Gehrman
原文简介:
Kimmo Hakola's Wind Quintet op. 96 (2017) was commissioned by the Kimito Island Music Festival. The composer sees that making the ensemble ultimately breathe and express itself as an organic, coherent subject should be the aim in composing for wind quintet. "The normal chamber-music configuration is not a sufficient basis for me in composing a wind quintet: the instruments have to be compressed, reduced, even crushed together so that, in pairs and different combinations, they produce new, viable audio units. Collision often generates something new." Kimmo Hakola has gone through a number of styles and influences in his career as a composer, his idiom expanding at times to embrace Romanticism, Orientalism and klezmer. He has attained international recognition with an output that spans various genres from intimate solo works to full-length operas such as La Fenice (2011) commissioned by the Savonlinna Opera Festival. Many of his works are expansive and epic: his Piano Concerto (1996), for instance, clocks in at 55 minutes. Hakola says that he sees music as drama. His dramas explore almost Shakespearean extremes, from moments of raging sound and fury and violent battles to quiet moments of meditation and heart-rending monologues.