Violin Concerto op. 25 1001 Nights in the Harem 赛伊．法佐 小提琴协奏曲 小提琴加钢琴 朔特版

我的小提琴协奏曲由四个乐章组成，其灵感来源于《一千零一夜》中的谢赫拉扎德。第一乐章以后宫为背景，介绍了后宫的各种女人，每个女人都有自己不同的个性。第二乐章是狂热的舞蹈，实际上是一个狂欢之夜，舞曲种类繁多。第三乐章描绘了第二天早晨的景象，主要由一首著名的土耳其歌曲变奏而成。第四乐章以戏剧性的方式开始，但在乐章的发展过程中，越来越多的人开始回忆之前发生的所有事件，作品在快乐的情绪中梦幻般地达到高潮，充满了感性的东方音色。然而，小提琴独奏才是整部作品的主线，也是整部作品的伴奏。小提琴部分的演奏技艺精湛，将四个乐章融为一体，在每个乐章之间，独奏小提琴都会飙出一段独奏快板，有时还会由其中一种打击乐器伴奏。按照惯例，本钢琴缩写本最初是作为研究这部作品的辅助材料，但在我与帕特里夏-科帕钦斯卡娅和布尔汗-厄查尔的巡演计划中，我们利用这一材料创作了小提琴、钢琴和打击乐器三重奏版本。法兹

作曲家: Say, Faz?l
乐器: violin and orchestra
出版社: Schott Music

曲目:
I Allegro · Cadenza - II Allegro assai · Cadenza - III Andantino - IV (ohne Satzbezeichnung) · Coda (Andantino)

原文简介:
My Violin Concerto consists of four movements whose inspiration is loosely connected with Scheherazade’s One Thousand and One Nights. The first movement is set inside the harem; a variety of women from the harem are introduced, each with her own different personality. The second movement is a frenzy of dance – in effect a party night with an abundance of different types of dance music. The third movement depicts the next morning and consists primarily of variations on a well-known Turkish song. The fourth movement begins dramatically, but develops during the course of the movement more and more into a reminiscence of all the previous events and the work culminates dreamily in a happy mood with sensuous oriental sounds.As appropriate for an oriental soundscape, the orchestra includes a series of Turkish percussion instruments such as a kudüm or bendir, but also glockenspiel, marimba und vibraphone, celesta and harp. It is however the solo violin which tells the story and also accompanies the listener through the entire work. The violin part is highly virtuoso and unites the four movements into an intensely atmospheric whole in which the solo violin soars off into a solo cadenza between each movement, sometimes accompanied by one of the percussion instruments.As is customary, the present piano reduction is initially intended as an aid for the study of this work, but during my tour programmes with Patricia Kopatchinskaya and Burhan Öçal we have utilised this material to create a trio version for violin, piano and percussion. Faz?l Say