Variations sur un thème original op. 1 und 29 维多 变奏曲 钢琴独奏 朔特版

维多的管风琴作品在曲目中占据了稳固的地位，而他的钢琴作品却只为一小部分钢琴家所熟知，这可能是因为德彪西和拉威尔的钢琴作品在这一领域胜过了他。1867 年首次发表的《原创主题音乐会变奏曲》充满了深沉的忧伤，至今仍是他不可考证的第一部作品。这些作品表明，这位年轻的作曲家以 J. S. 巴赫的调性语言为起点，但又赋予了他的变奏曲以自己浪漫的表达方式，让人联想到 "戈德堡变奏曲"。1876 年，他对变奏曲进行了修订，并以略作修改的标题 "钢琴原主题变奏曲 "作品 29 发表。我们精心编辑的新版本包含了这两个版本（作品 1 和作品 29），可以毫不夸张地说，每一位音乐会钢琴家都应该拥有这两个版本

作曲家: Widor, Charles-Marie
编者: Friedrich, Felix / Friedrich, Irmtraut
乐器: piano
出版社: Schott Music
原文简介:
Whereas the organ works by Widor have secured a solid position in the repertoire, his no less elaborate and artistic piano works are known to only a small circle of pianists, probably because the piano works by Debussy and Ravel outdid him in this field. 'Variations de Concert sur un thème original' carried by profound melancholy were published in 1867 for the first time and have remained his non-verifiable opus 1 to this day. They show that the young composer takes the tonal language of J. S. Bach as a starting point, yet gives his cycle of variations, which is reminiscent of the 'Goldberg Variations', its own romantic expression. In 1876 he revised the variations and published them under the slightly modified title of 'Variations sur un Thème original pour piano' Op. 29. Our carefully edited new edition contains both versions (Op. 1 and Op. 29) about which one may say without exaggeration that they should be in the possession of every concert pianist.