Variations op. 93 (Homage to Haydn) 哥尔．亚力山大 变奏曲 钢琴独奏 朔特版

我的作品的副标题是'向海登致敬'。为什么呢？因为它以海登的《F 小调/大调变奏曲》为蓝本。但模仿并不意味着抄袭或模仿。从勃拉姆斯开始（如果不是在此之前），以各种方式模仿他人作品的例子不胜枚举。这样做并不意味着亲近原作，而是不可避免地远离原作。我不知道听众是否会因为了解原作而更加明智。无论如何，作品必须有自己的立足点。亚历山大-戈

作曲家: Goehr, Alexander
乐器: piano
出版社: Schott Music
原文简介:
My piece is subtitled ‘Homage to Haydn’. Why? Because it is modelled on Haydn’s Variations in F minor/major. But modelled does not imply pastiche or imitation. From Brahms onwards (if not before) there are countless examples of pieces modelled on others in a variety of ways. To do this does not imply a closeness to the original, rather inevitably a distance from it. I don’t know whether a listener would be the wiser for knowing the original. In any case a composition must stand on its own feet. Alexander Goehr