Tryst 麦克米伦．詹姆士 总谱 博浩版

为室内乐团创作的《Tryst》创作于 1989 年，自此在音乐厅和芭蕾舞剧中大放异彩。作曲家解释说，这部作品的灵感来源于威廉-苏塔（William Soutar）用广义苏格兰语写成的一首爱情诗，名为《试探》，他将这首诗配上一段非常简单的旋律。这段旋律一直以不同的形式出现在此后创作的许多作品中--圣安妮弥撒、为小提琴和钢琴而作的一个小片段（《幽会之后》）、音乐剧作品《Búsqueda》以及合唱作品《Miserere》。它不仅在《尝试》中再次出现，而且还为音乐提供了标题和情感核心。"它的旋律特点与原词相吻合，似乎暗示着许多非常强烈的联想--承诺、神圣、亲密、信仰、爱，但同时也饱含着一种悲伤，仿佛所有这些东西都将消逝

作曲家: MacMillan, James
乐器: chamber orchestra
出版社: Boosey & Hawkes
原文简介:
Tryst, for chamber orchestra, was composed in 1989 and has since established itself both in the concert hall and as a ballet score. The composer explains the genesis of the work in the form of a love poem by William Soutar written in broad Scots, called The Tryst, which he set to a very simple melody. This melody has persistently appeared, in various guises, in many works composed since – the congregational St Anne’s Mass, a tiny fragment for violin and piano (After the Tryst), in the music theatre piece Búsqueda, and in the choral Miserere. Not only did it crop up again in Tryst, but it has provided both the title and the emotional core of the music. “Its melodic characteristics, matching the original words, seem to imply many very strong associations – commitment, sanctity, intimacy, faith, love, but it is also saturated with a sadness as if all these things are about to expire.”Suitable for advanced standard performers.