Trombes D'eau 低音大提琴

弗朗索瓦-拉巴：低音提琴长号 (AL 30 748) 低音提琴演奏家弗朗索瓦-拉巴在国际上享有盛誉，他既是一位不懈的教师，着有《新低音提琴技巧》（Nouvelle technique de la contrebasse），整整一代学生都希望摆脱传统教学的束缚；又是一位灵感迸发的独奏家，在音乐会上毫不吝惜自己的才华。几年来，他已经习惯于在夏季到堪萨斯城（密苏里州）举办几天大师班，并在堪萨斯城低音提琴节的框架内举办一场音乐会。2016 年 7 月，一个令人感动的惊喜等待着他：在美国爵士乐博物馆的舞台上，一幅由当地艺术家鲁西-英格拉姆（Ruthie Ingram）根据前一年他在演奏会上拍摄的照片绘制的全身肖像揭幕了。为了表示感谢，拉巴特将这首约六分钟的独奏曲《Trombes deau》献给了她，这是他在国际低音提琴家协会的鼓励下为 2017 年国际低音提琴比赛创作的。这首作品是对一个慷慨激昂的主题的一系列简短变奏，强调了令人回味的滑音，并探索了双停止和人工和声，但从未牺牲本质：音乐表达的乐趣"

作曲家: Rabbath Francois
乐器: Double Bass
出版社: Alphonse Leduc
原文简介:
“François Rabbath : Trombes deau for double bass (AL 30 748) The international fame of bass player François Rabbath acknowledges both the untiring teacher, author of a Nouvelle technique de la contrebasse, which a whole generation of students, desirous of freeing themselves from the fetters of traditional teaching, has taken up, and the inspired soloist, unsparing of himself in concert. For several years now, he has become accustomed to spending a few days in the summer in Kansas City (Missouri) to give master classes and a concert there, in the framework of the KC BassFest. In July 2016, a moving surprise awaited him: on the stage of the American Jazz Museum a full-length portrait was unveiled, painted by local artist Ruthie Ingram from photos taken during his recital the previous year. By way of thanks, Rabbath dedicated Trombes deau to her, a solo piece lasting approximately six minutes, composed at the instigation of the International Society of Bassists for the 2017 edition of the International Double Bass Competition. Conceived as a series of short variations on an impassioned theme, the work emphasises evocative glissandi and explores double stopping and artificial harmonics without ever sacrificing the essential: the pleasure of musical expression.”