Trois Esquisses Lyriques, Op. 144 for Piano 钢琴

巴克里的'Esquisses Lyriques'中的第3-5号。在 19 世纪，'沙龙音乐'本应是一种以最容易接受的方式表达亲密情感的欢快体裁，从而创造出一种不谦虚的喜剧。Chanson et valse（Esquisses lyriques nos. 4 和 5）是受居住在伦敦的加泰罗尼亚钢琴家玛丽亚-卡尼圭拉尔（Maria Canyigueral）委托，为她的 "前卫蒙普 "项目创作的。萨达纳》中的六个音符--F A G C A F--构成了一首甜美、平易近人的歌曲的开头，而只有前三个音符构成了一首类似华尔兹形式的旋律的开头，整个旋律简洁而不失抒情"

作曲家: Nicolas Bacri
出版社: Alphonse Leduc
原文简介:
Nos. 3-5 of Bacri's 'Esquisses Lyriques'. Valse triste is Bacri's third Esquisse Lyrique and third attempt at reviving the outdated genre of 'salon music' that, in the 19th century, was meant to be a convivial genre expressing intimate feelings in the most acceptable way possible, thereby creating a sort of comedy of immodesty. Chanson et valse (Esquisses lyriques nos. 4 and 5) was commissioned by Maria Canyigueral, a Catalan pianist residing in London, for her 'Avant-guarding Mompou' project, consisting of several new pieces based on fragments of Catalan folk melodies and thereby echoing the music of the great composer Federico Mompou. The six notes from a Sardana - F A G C A F - form the beginning of a sweet, plaintive song whilst only the first three constitute the beginning of a melody that takes the form of a waltz of similar character, the whole being placed under the sign of a simplicity that does not rule out lyricism.