Traite De Rythme, De Couleur Et D'ornithologie Tome 1 梅湘

本卷是奥利维耶-梅西安（Olivier Messiaen）用法语撰写的《节奏、色彩和鸟类学论文集》的一部分，也是七卷中的第一卷。这一卷的重点是时间、节奏、希腊度量衡、印度节奏，以及对克劳德-勒热纳（Claude Le Jeune）创作的《春》中 39 个合唱团的分析。 这篇论文描绘了梅西安创作背后的全部理论以及他是如何创作音乐的，包括他对节奏的构思、对鸟鸣的融入以及他与声音和色彩的关系。 大多数作曲家都很难解释自己的创作，而梅西安却成功地撰写了一部七卷本的论文集，解释了其作品的所有重要方面。 奥利维耶-梅西安（1908-1992 年）是一位热爱鸟类学的法国管风琴家和作曲家，也是本世纪最重要的作曲家之一。受日本音乐的启发，他的作曲方式非常特别，他的作品以其复杂性、二度性、有限转调的和声、色彩和附加节奏而著称。他创作了许多与鸟类学和鸟鸣有关的作品，包括 7 卷本的《鸟类目录》"

作曲家: Olivier Messiaen
出版社: Alphonse Leduc
原文简介:
“Part of the Treatise on rhythm, colour and ornithology written in French by Olivier Messiaen, this volume is the first of the 7 tomes. This volume focuses on time, rhythms, Greek metrics, Hindu Rhythms and an analysis of 39 choirs of 'Spring' by Claude Le Jeune. This treatise depicts the full theory behind Messiaens compositions and how he composed the music, including his conception of rhythms, his incorporation of birdsong and his relation to sound and colours. While most of the composers struggle to explain their composition, Messiaen has managed to write a Treatise in 7 volumes to explain all the important aspects of his work. Olivier Messiaen (1908-1992) was a French organist and composer passionate about Ornithology and one of the most important composer of his century. Inspired by Japanese music, he had a very special way of composing and his work can be identified by its complexity, its diatonic aspect, its harmony with limited transposition, its colour and its additive rhythms. He composed many works related to ornithology and birdsong, including the 'Bird Catalogue' in 7 volumes.”