The Orchestral Violinist Vol. 2 管弦乐团小提琴家 小提琴练习曲 博浩版
这些选自古典、浪漫和二十世纪音乐会曲目的曲目不仅为有抱负的管弦乐演奏家收集了高难度的乐段，还揭示了演奏中的诀窍。罗德尼-弗兰德曾担任纽约爱乐乐团、伦敦爱乐乐团和英国广播公司交响乐团等世界一流交响乐团的领队（音乐会指挥），拥有 40 多年的丰富经验，因此曾与海廷克、梅塔、巴伦博伊姆、索尔蒂、朱里尼和伯恩斯坦等一流大师合作演出。管弦乐小提琴家》通过将每部作品的摘录汇编成独立的研究报告，提炼出了弗兰德的专业知识。详细的指法已经应用，可行的弓法以红色重现，解决了演奏者面临的所有技术问题。尤其重要的是乐曲中的注释，为了清晰起见，这些注释用绿色字体再现。这些说明解释了如何通过技巧来处理乐曲的分句、衔接和投射：准确地告诉你应该使用弓子的哪个部分，以及在特定位置上的最佳运弓速度；强调了左右手动作互补的重要性。尤其值得注意的是，对曲目中最难演奏的段落之一--斯特拉文斯基《春之祭》中的 "祭祀舞曲"--的详细注释。这种新方法是准备试演者不可或缺的资源"
编者: Friend, Rodney
乐器: violin
出版社: Boosey & Hawkes
曲目:
Ravel: La Valse - Mendelssohn: Symphony No. 4 Italian - Rachmaninoff: Symphony No. 2 - Sibelius: Symphony No. 2 - Britten: Variations on a theme of Frank Bridge - Schuber: Symphony No. 9 The Great C major - Bruckner Symphony No. 9 - Brahms: Symphony No. 4 - Schumann: Symphony No. 2 - Walton: Overture Portsmouth Point - Rimsky-Korsakoff: Scheherazade - Beethoven: Symphony No. 3 Eroica - Wagner: Overture Die Meistersinger von Nürnberg - Moussourgsky/Ravel: Pictures at an Exhibition - Stravinsky: Suite from The Firebird - Prokofieff: Romeo and Juliett Suite No. 1 - R. Strauss: Till Eulenspiegels lustige Streiche - Stravinsky: Tarantella from Pulcinella Suite - Glinka: Overture Russlan and Ludmilla - Beethoven: Overture Egmont - Dvorák: Carnival Overture - Mahler: Symphony No. 1 - Mendelssohn: Scherzo form A Midsummernight's Dream - Tchaikovsky: Serenade (Waltz) - Copland: Appalachian Spring Suite - Dukas: The Sorcerer's Apprentice
More than just a collection of difficult passages for the aspiring orchestral pro, these extracts from the classical, romantic and twentieth-century concert repertoire reveal the tricks of the trade. Rodney Friend has over 40 years’ experience as leader (concert-master) of some of the world’s leading orchestras, including the New York Philharmonic, London Philharmonic and BBC Symphony, and has thus performed with leading maestri such as Haitink, Mehta, Barenboim, Solti, Giulini and Bernstein. The Orchestral Violinist distils Friend’s expertise by assembling extracts from each work as self-contained studies. Detailed fingerings have been applied, and workable bowings are reproduced in red, solving all of the technical problems faced by the player. Especially important is the commentary peppering the music, and reproduced in green for clarity. These instructions explain how to negotiate phrasing, articulation and projection of the music through technique: you are shown exactly which portion of the bow to use and the optimum speed of bow at given points; the importance of complementarity of left- and right-hand action is emphasised. Particularly noteworthy is the detailed commentary on one of the most taxing passages in the repertoire, the Sacrificial Dance from Stravinsky’s The Rite of Spring. This new approach forms an indispensable resource for those preparing for auditions.