Tatar Dance for Bayan and Two Double Basses 古拜杜莉娜 舞曲

一次又一次，作曲家们写出了一部又一部充满激情的作品，却又暂时搁笔。索非亚-古拜杜丽娜是个例外。然而，几十年过去了，为巴扬琴和双低音提琴创作的震撼人心的《鞑靼舞曲》才得以印刷出版。鞑靼舞曲》创作于 1992 年，多亏了巴扬演奏家弗里德里希-利普斯（Friedrich Lips）不断向作曲家介绍这首美妙的作品，并促使她将其出版。现在，利普斯对这部作品进行了编辑，其中充满了华丽的新声音，低音提琴与巴扬琴形成了铿锵有力的对位。1992 年 7 月 25 日，由埃尔斯贝特-莫泽尔（巴扬琴）、沃尔夫冈-居特勒（Wolfgang Güttler）和亚历山大-苏斯林（Alexander Suslin）（均为低音提琴演奏家）独奏的室内乐作品《鞑靼舞曲》在希茨哈克举行了世界首演。索非亚-古拜杜丽娜将这部作品献给了维克多-苏斯林"

作曲家: Sofia Gubaidulina
乐器: Double Bass; Bayan
出版社: Sikorski
原文简介:
It so happens, time and again, that composers have written one work or another with great élan and then withheld it for a while. This is rather an exception with Sofia Gubaidulina. Nonetheless, several decades passed before the striking “Tatar Dance” for bayan and two double basses - unusual simply in view of its instrumental combination - could now be published as a printed edition. The “Tatar” Dance was composed in 1992, and it is thanks to the bayan virtuoso Friedrich Lips that he continued to speak to the composer about this wonderful composition and motivated her to have it published. Lips has now edited the work which is full of magnificent new sounds, with the double basses forming a sonorous counterpoint to the bayan. The world premiere of the chamber work “Tatar Dance” was given on 25 July 1992 by the soloists Elsbeth Moser (bayan), Wolfgang Güttler and Alexander Suslin (both double bass) in Hitzacker. Sofia Gubaidulina dedicated this work to Viktor Suslin.