Symphony in G Major, Hob. I:94 (Surprise Symphony) Study Score 海登 交响曲 总谱 亨乐版

12首 "伦敦交响曲 "是海登交响乐作品中最崇高的终曲。这些交响曲是为伦敦音乐家约翰-彼得-萨洛蒙（Johann Peter Salomon）而作，海登于 1791/92 年和 1794/95 年在英国大都会长期逗留期间亲自指挥了这些交响曲的首演。降E大调第103号交响曲创作于1795年，是海登在伦敦的首演。第103号降E大调交响曲创作于1795年，是伦敦交响曲的倒数第二部。它的名字源于其独特的开头：定音鼓独奏的鼓声拉开了缓慢的引子。这个开头小节标有海登的标题 "Intrada "和停顿，甚至激发了许多演奏者大胆地用定音鼓即兴演奏一小段。本研究版采用海登全集的音乐文本，从而保证了最高的学术质量。翔实的前言和简短的评论报告使这本简便的乐谱成为目前和即将成为海登乐迷的理想伴侣"

作曲家: Joseph Haydn
校订者: Robert v. Zahn
乐器: Orchestra
出版社: Henle Urtext Edition
原文简介:
The twelve “London Symphonies” comprise the sublime final statement of Haydn's symphonic oeuvre. They were written for the London impresario Johann Peter Salomon, and Haydn himself conducted their premieres during his lengthy stays in the English metropolis in 1791/92 and 1794/95.

To this day, the G-major symphony, first performed in March 1792, numbers among Haydn's most popular works. It owes its English nickname “Surprise” to the striking tutti chords in the Andante, which apparently caught the audience off guard. Haydn had consciously incorporated this effect at a later stage - and was thus subsequently also perfectly willing to authorize this nickname that had been dreamt up by a London musician. This popular work also spread rapidly through German-speaking countries, where it is still firmly established in the repertoire as the “symphony with the drumbeat.”

This study edition adopts the musical text of the Haydn Complete Edition, thereby guaranteeing the highest scholarly quality. An informative preface and a brief Critical Report make the handy score an ideal companion for all current and soon-to-be Haydn fans.