Symphonie Nr. 2 Resurrection 马勒．古斯塔夫 交响曲 总谱 环球版

多年来，马勒的《第二交响曲》显然需要一个新版本，原因有几个。首先，自 1970 年埃尔温-拉茨（Erwin Ratz）完成该交响曲的第一个评论版以来，这部作品有了许多新的数据源，其中最重要的是马勒的个人参考乐谱，他在其中记录了将要进行的修改（他的最后一次记录是在 1910 年 9 月）。第二个原因是近年来批判版的编辑标准大大加强。现在的乐谱都是计算机生成的。在此之前，对乐谱的修改只能通过对旧雕版的胶片进行润色。计算机化还确保了乐谱与演出材料的一致性。在编辑方面，新版受益于扩充的文本，这些文本描述和评估了原始材料，记录和解释了编辑的决定，并提供了有关作品起源、已出版乐谱的历史、演奏实践等方面的详细信息。在过去的五年中，《第二交响曲》新版的编辑雷纳尔-斯塔克-沃伊特和吉尔伯特-卡普兰对每一个重要的数据源都进行了鉴定、评估和分析，由于他们的工作，大量错误得到了纠正"

作曲家: Mahler, Gustav
编者: Kaplan, Gilbert / Stark-Voit, Renate
乐器: for soli, mixed choir (SATB) and orchestra
出版社: Universal Edition
原文简介:
Over the years, the need for a new edition of Mahler's Symphony No. 2 became apparent for several reasons. First, many new sources for this work have become accessible since 1970, when Erwin Ratz completed the first critical edition of this symphony, the most significant being Mahler's personal reference score in which he recorded changes to be made (his last entries were made in September 1910). The second reason was the significant strengthening of the editorial standards of the critical edition in recent years. The music is now computer-generated. Previously, changes to the score could be made only by retouching the film of old engravings. Computerization also ensures a concurrence between the score and performance materials. Editorially, the new edition benefits from expanded texts that describe and assess the source materials, document and explain the editors' decisions and provide detailed information on the work's origin, the history of the published scores, performance practices, etc. Over the past five years, Renare Stark-Voit and Gilbert Kaplan, editors of the new edition of Symphony No. 2, have identified, evaluated and analyzed every significant source, and as a result of their work a substantial number of errors has been corrected.