Symmetry Disorders Reach op. 73 15 pieces 哥尔．亚力山大 小品 钢琴独奏 朔特版

亚历山大-戈尔和舒曼一样，教学和培养新思想和新人才是他作曲生涯中不可或缺的一部分。在这 15 首作品中，他以巴赫、亨德尔、莫扎特和舒曼的作品为模板，探索创作行为。他说："想象力的失调被记录下来，并加以整理和扩展，希望'达到一种对称'或'真正的格式塔'（W.H. Auden 语）。但反过来说也可能行得通（而且对许多人来说确实行得通）：从对称（矩阵）中产生繁茂的无序。我希望，将每部作品与其相应的模型进行比较的可能性会给人一种特殊的愉悦感，这与我以这种方式进行创作时的愉悦感并无二致"（亚历山大-戈尔）

作曲家: Goehr, Alexander
乐器: piano
出版社: Schott Music

曲目:
Vol. 1: - Prelude - Invention - Capriccio - Fughetta - Chaconne - Moto perpetuo - Invention - Burlesque - Metric Maze - Vol. 2: - Litlle Harmonic Labyrinth - Little Harmonic Labyrith, Double - Air - Air, Double - Adagio - Vivo - Appendix: - J.S.Bach: Kleines harmonisches Labyrinth [Werke XXXVIII, Orgelwerke Vol. 3] - G.F. Handel: Air - W.A. Mozart: Adagio in h, KV540 [Serie IX, Vol. 2] - R. Schumann: No. 8 [Piano Solo I]

原文简介:
For Alexander Goehr, like Schumann, teaching and fostering new ideas andtalent has been an integral part of his life as a composer. In these 15 pieces he uses models (by Bach, Handel, Mozart and Schumann) to explore the creative act. “The disorders of the imagination, recorded as they present themselves, are to be ordered and extended in the hope of ‘reaching a symmetry’, or a ‘true gestalt’ [in the words of W.H. Auden, whose poem New Year Letter, 1940, provided the title and context for this project]. But the other way round might work too (and for many does): taking a symmetry (matrix) and making from it a luxuriant disorder. I hope that the possibility of comparing each piece with its appropriate model may give a particular pleasure, not unlike my pleasure in composing in this way.”(Alexander Goehr)