String Quintet F major op. 2/6 弦乐五重奏大调 朔特版

洛里安-利奥波德-加斯曼（Florian Leopold Gaßmann，1729-1774 年）的作品 2 "Sei quintetti, Dilatamenti, Notturni o sia Serenate Per Violino o Flauto, Violino Secondo, Due Viole e Baßso...... "属于最早的五重奏，与奥曼、范哈尔、瓦根西尔等人的作品齐名。与该系列中的其他三首五重奏不同，这首五重奏的主要声部没有典型的弦乐和双音栓指令，因此甚至可以由长笛演奏。与约瑟夫-海登的第一首四重奏作品 1 一样，这首五重奏中的两首小步舞曲构成了一个缓慢的中间部分，即一个小乐章，打破了常见的调性平等。维也纳地区早期五重奏的典型特点是小提琴和中提琴成对排列，因此乐段通常类似于以三度伴奏的三重奏。这种声部安排有时会被打破，如第二段三重奏中的首席中提琴独奏，或慢板中首席小提琴和大提琴的简短合奏"

作曲家: Gaßmann Florian Leopold
改编者: Sieber, Tilman
乐器: 2 violins, 2 violas and cello
出版社: Schott Music
原文简介:
Florian Leopold Gaßmann's (1729-1774) Op. 2, 'Sei quintetti, Dilatamenti, Notturni o sia Serenate Per Violino o Flauto, Violino Secondo, Due Viole e Baßso ...' belongs among the earliest quintets, alongside those by Aumann, Vanhall, Wagenseil and a few others. In contrast to three other quintets of this series, the principal part in this quintet is free of typical instructions for the strings and double stops; it may therefore even be played by the flute. As in Joseph Haydn's first quartets Op. 1, two minuets in the current quintet frame a slow middle section, a minor movement, which interrupts the common equality of keys. Typical of the early quintet settings of the Viennese area is the arrangement of violins and violas in pairs so that the parts are often similar to a trio setting accompanied in thirds. This arrangement of parts is sometimes broken up, in this case by the solo of the principal viola in the second trio or by the brief ensemble playing of the principal violin and cello in the slow movement.