String Quartet F sharp minor op. 28 弦乐四重奏小调 朔特版

来自奥本海姆的作曲家约翰娜-森弗特（Johanna Senfter，1879-1961 年）一生关注弦乐室内乐，甚至曾在法兰克福学习小提琴。后来，马克斯-雷格（Max Reger）在莱比锡给她上课，先是私人授课，然后是在音乐学院的作曲课上，并看重她'非凡的作曲天赋'。这位严厉的老师越来越成为约翰娜-森弗特作品的忠实推广者。在长达 50 年的时间里，作曲家一直专注于弦乐四重奏体裁，从世纪之交不久创作的 D 小调第一四重奏作品 4，到 1960 年（她去世前一年）首次公演的第六也是最后一部 C 小调四重奏作品 115。升F小调四重奏作品28是她的第二部四重奏作品，于1922年11月5日在达姆施塔特首演。在这部作品中，森弗特将传统的形式模式--这里是巴洛克乐章，如加沃特舞曲、萨拉班舞曲、吉格舞曲--与富有表现力的晚期浪漫主义音乐语言相结合。这部作品由六个短乐章组成，毫无疑问可被视为四重奏曲目的宝贵补充"

作曲家: Senfter Johanna
改编者: Birtel, Wolfgang
乐器: 2 violins, viola and cello
出版社: Schott Music
原文简介:
The composer Johanna Senfter (1879 1961) from Oppenheim concerned herself with chamber music for strings all her life, even studied violin in Frankfurt herself. Max Reger then gave her lessons in Leipzig, first privately, then in his composition class at the conservatoire and valued her 'extraordinary compositional talent'. The strict teacher more and more became a committed promoter of the works by Johanna Senfter. For a period of 50 years, the composer concerned herself with the string quartet genre, from Quartet No. 1 in D minor Op. 4, composed shortly after the turn of the century, to the sixth and last Quartet in C minor Op. 115 which was performed for the first time in 1960, one year before her death. The Quartet in F sharp minor Op. 28 is her second quartet which was premiered in Darmstadt on 5 November 1922. In this work, as in later works, Senfter combined traditional form models – here Baroque movements like gavotte, saraband, gigue – with expressive, late Romantic musical language. The work, consisting of six short movements, may without doubt be regarded as a valuable addition to the quartet repertoire.
难度: advanced