Sonatas Band 2 Sonatas Wq 7578, Arioso Wq 79, Fantasie Wq 80 巴赫卡尔‧菲利普‧艾曼纽 奏鸣曲 奏鸣曲 幻想曲 小提琴加钢琴 维也纳原典版
卡尔-菲利普-伊曼纽尔-巴赫（Carl Philipp Emanuel Bach）的小提琴与大键琴伴奏作品贯穿了他的全部创作。最早的作品，如编号仍为 BWV 1036 的《D 小调奏鸣曲》，可以追溯到他跟随父亲学习的年代，但已经显示出他自己非凡的创作意愿。最新的作品是幻想曲《C. P. E. Bachs Empfindungen"（降 F 小调，1787 年）是作曲家晚期风格的代表作。Wiener Urtext Edition 的新版两卷本收录了 C. P. E. 巴赫为大键琴（钢琴）和小提琴所作的全部作品。第 1 卷不仅收录了奏鸣曲 Wq 7174 和 BWV 1036，还收录了为小提琴和大键琴改编的三重奏 Wq 143145（其中大部分收录在 C. P. E. 巴赫的亲笔签名中），以及之前被忽视的早期版本 Wq 71，该版本与 BWV 1036 一样，让人对作曲家的早期作品有了难得的了解。第 2 卷收录了约翰内斯-勃拉姆斯（Johannes Brahms）已经着迷的 1763 年的四首主要奏鸣曲。勃拉姆斯不仅在音乐会上与约瑟夫-赫尔梅斯贝格（Joseph Hellmesberger）共同演奏了这四首奏鸣曲，还在 1864 年出版了其中的两首。本卷最后收录了两首分别创作于 1781 年和 1787 年的晚期作品《咏叹调》和《幻想曲》。通过这些作品，C.P.E.-巴赫在其父的巴洛克晚期奏鸣曲与早期古典'Klaviersonate mit begleitender Violine'[小提琴伴奏钢琴奏鸣曲]之间架起了一座桥梁"
作曲家: Bach, Carl Philipp Emanuel
编者: Reutter, Jochen
乐器: violin and harpsichord (piano)
出版社: Wiener Urtext Edition
曲目:
Preface - Notes on interpreation - Ornaments and Cadenzas - Facsimlia - Sonate in F Wq 75 - Sonate in h Wq 76 - Sonate in B Wq 77 - Sonate in c Wq 78 - Arioso in A Wq 79 - C.P.E. Bachs Empfindungen-Fantasie in fis Wq 80 - Critical Notes
Carl Philipp Emanuel Bach's works for violin and harpsichord obbligato pervade his entire compositional oeuvre. The earliest works, like the Sonata in D minor still numbered BWV 1036, date back to the years of study with his father, yet show already a remarkable creative will of his own. The latest work, the fantasia 'C. P. E. Bachs Empfindungen' in F flat minor of 1787 is characterized by the composer's highly expressive late style. The new two-volume edition of Wiener Urtext Edition contains C. P. E. Bach's complete works for harpsichord (piano) obbligato and violin. Vol. 1 contains not only the sonatas Wq 7174 and BWV 1036 but also the arrangements of the trios Wq 143145 for violin and harpsichord, most of which are included in C. P. E. Bach's autographs, as well as a previously ignored early version of Wq 71 which, like BWV 1036, grants a rare insight into the early works of the composer. Vol. 2 contains the four major sonatas of 1763 which already fascinated Johannes Brahms. Brahms not only played them in concert, together with Joseph Hellmesberger, but also published two of these sonatas in 1864. This volume concludes with the two late works 'Arioso' and 'Fantasie' of 1781 and 1787 respectively. With these works, C. P. E. Bach bridged the gap between the late Baroque sonatas of his father and the early classical 'Klaviersonate mit begleitender Violine' [Piano Sonata with Accompanying Violin].