Sonata (trio) in B flat major op. 10/2 钢琴三重奏 奏鸣曲大调

在当时维也纳的众多作曲家和钢琴家中，安东-埃贝尔（1765-1807 年）是最值得与贝多芬相提并论的一位。他的降 B 大调奏鸣曲，作品 10 之 2，是第一首已知的维也纳单簧管键盘奏鸣曲。本版收录了这首替代曲目。这可能是他七首奏鸣曲中第四首包含小提琴的奏鸣曲，出版时附带了一个可选的 "Basse"--无疑是为大提琴手准备的部分--允许作为钢琴三重奏演奏。这首奏鸣曲创作于 1800 年左右，献给圣彼得堡俄国皇帝保罗一世宫廷的官员弗朗茨-约瑟夫-迪特里希施泰因亲王。埃贝尔曾于 1796-9 年和 1801-2 年两度在圣彼得堡担任指挥、演奏家和教师。这部作品最初由圣彼得堡的 Gerstenberg & Dittmar 公司出版。贝多芬的小提琴奏鸣曲作品 12 于 1799 年出版，当时的评论家认为这些作品具有挑战性，"充满了奇怪的困难"，同样，两首奏鸣曲作品 10 也被认为过于冗长和复杂。但是，在其持续时间、形式与和声的新颖性，以及单簧管或小提琴与键盘之间的生动关系方面，他的作品 10 之二与贝多芬在这一体裁中的作品有着相同的音乐雄心和质量"

作曲家: Eberl Anton Frans Josef
改编者: Harlow, Martin
乐器: clarinet or violin, cello and piano
出版社: Edition HH Limited
原文简介:
Among Vienna’s many composers and pianists of the time, Anton Eberl (1765–1807) was the one considered most worthy of comparison with Beethoven. His Sonata in B flat major, Op.10 No.2, is the first known Viennese sonata for keyboard with clarinet, offered as a first-named alternative to violin. The alternatives are included in this edition. It is probably the fourth of his seven sonatas which included the violin and was published with an optional ‘basse’ – doubtless intended to be a part for a cellist – which permits performance as a piano trio. The sonata was composed around 1800 and dedicated to Franz Joseph the Prince of Dietrichstein, an official at the court of Emperor of Russia Paul I in St Petersburg. Eberl spent two periods in that city, 1796-9 and 1801-2, as Kapellmeister, performer and teacher. The work was first published by the St Petersburg firm of Gerstenberg & Dittmar. As contemporary reviewers found Beethoven’s Sonatas Op.12 with violin – works published in 1799 – challenging and ‘overladen with strange difficulties’, so too were the two sonatas Op.10 thought to be overlong and excessively complex. But in its duration, formal and harmonic novelty, and in the lively relationship between the clarinet or violin and the keyboard, his Op.10 No.2 shares much of the musical ambition and quality of Beethoven’s works in this genre.